Consistently surprising and richly entertaining.
An astute observer of popular culture takes a granular look at 12 months of music that reflected “the aftermath” of the preceding cultural revolution.
In a natural follow-up to 1965: The Most Revolutionary Year in Music (2015), Los Angeles–based music writer Jackson examines another pivotal year in popular music, when radio programmers figured out how to commodify “ ‘album-oriented rock’…[which] soon segregated rock from other genres that once spurred its evolution.” There’s all sorts of intriguing cross-pollination going on in the author’s rollicking retrospective of 1973, a year that some may consider unexceptional. However, Jackson’s expansive exploration obliterates such notions. On one hand, 1973 was a remarkable year for celebrated acts to produce some of their most seminal works, including Pink Floyd’s Dark Side of the Moon, Led Zeppelin’s Houses of the Holy, Elton John’s Goodbye Yellow Brick Road, The Who’s Quadrophenia, and Alice Cooper’s Billion Dollar Babies. On the other hand, 1973 was also an exceedingly fertile time for exciting new artists to burst on to the scene—Bruce Springsteen with Greetings From Asbury Park, N.J.—and for others to break away from the confines of their home countries and garner a more global audience (Bob Marley’s Catch a Fire). The title aside, Jackson demonstrates a determination to be musically inclusive. “Fifteen of the year’s nineteen No. 1 albums were rock albums,” writes the author. “In 2018, only eight out of the forty-one No. 1 albums were rock.” Though Jackson dives deep into AOR radio, he makes it clear that 1973 was also about outlaws Willie Nelson and Waylon Jennings upending the country music scene; superstars Stevie Wonder and Marvin Gaye revolutionizing the Motown sound; Linda Ronstadt and Joni Mitchell defying genre norms; and much more. As the year turned over, the top song in the country was Jim Croce’s “Time in a Bottle.” A month-by-month selected timeline helps readers situate the events discussed in the book.
Consistently surprising and richly entertaining.Pub Date: Dec. 3, 2019
ISBN: 978-1-250-29998-7
Page Count: 448
Publisher: Dunne/St. Martin's
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
Harari delivers yet another tour de force.
A highly instructive exploration of “current affairs and…the immediate future of human societies.”
Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.
Harari delivers yet another tour de force.Pub Date: Sept. 4, 2018
ISBN: 978-0-525-51217-2
Page Count: 400
Publisher: Spiegel & Grau
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
