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SANTA RITA STORIES

COMING OF AGE IN A CUBAN FISHING TOWN

Sure to transport readers to another place and time.

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A collection of short stories centering on a young boy coming of age in a small fishing community during the mid-1950s in pre-Castro Cuba.

In 10 linked stories, Rodriguez charmingly conjures life in Santa Rita, a coastal town in Cuba, before Castro’s revolution. The townspeople are seen mainly through the eyes of Carlos, a young boy growing up surrounded by his colorful neighbors. Chief among them is Pedro, a homeless man who makes the wharf his home and who relates to a wide-eyed Carlos the rich history of their town. As such, the collection encompasses Santa Rita’s past and present. Pedro’s own story is a fascinating one as he narrates his youthful love for a young woman far above his station. A man of many accomplishments, he also tells Carlos about his adventure transporting aid via train to a nearby village hit hard by a hurricane and of his meeting with Ernest Hemingway during World War II, when the famous American writer and his “hooligan navy” kept watch for German U-boats hoping to sink freighters off the coast of Cuba. Carlos is featured in several stories as well, including two about his relationship with Veronica, a beautiful Jewish girl. The collection ends with Carlos’ leaving for a high school education in Havana and his emotional farewell with Pedro, a man straight out of Steinbeck’s Cannery Row and who provides the book’s true beating heart. Pedro’s stories read like tall tales, whereas Carlos’ have their roots in timeless stories about youth, like Booth Tarkington’s Penrod and F. Scott Fitzgerald’s Basil and Josephine Stories. Rodriguez wonderfully evokes the ’50s with references to The Old Man and The Sea, This is Cinerama and Argentinean Grand Prix champion Juan Manuel Fangio. His only flaw is in too often adding unnecessary buttons in the forms of lessons or morals at the ends of his stories.

Sure to transport readers to another place and time.

Pub Date: June 11, 2014

ISBN: 978-1478736981

Page Count: 320

Publisher: Outskirts Press Inc.

Review Posted Online: Aug. 28, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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