An intense but contrived look at a bad young man.

RIDE

A disaffected young man goes on a drug-fueled tear around small-town Ontario in Lafleche’s dark literary novel.

In the early 2000s, angst-ridden, misanthropic Troy Brinkman lives with his parents, refuses to talk to a therapist about his problems, and uses a variety of drugs in large quantities. He hates the way that gossip travels in his unnamed town; for example, after he accidentally stabs his friend in the leg while high on ketamine, everybody seems to know about it: “That’s all anybody ever wants: to live vicariously through other people’s stories,” he narrates. “Make it crazy, make it unreal, make it dangerous and everybody wants to talk about it.” When he learns that Danielle, his on-again, off-again girlfriend, is pregnant again, he agrees to take her to get another abortion. The memories kicked up by this trip lead Troy on a bender of extreme and violent proportions— he robs drug dealers, ruins friendships, and fills his system with whatever chemicals he can. As he self-destructs, he tells himself to just “enjoy the ride,” but that may be because he doesn’t realize the dark places that the ride will take him. Lafleche tells the story in Troy’s own voice—a caustic blend of casual slurs, teenage id, and affected nihilism—and the novel as a whole fits very well within the tradition of transgressive literature. However, it often feels as if the author is purposely pushing the story’s seedier elements past the limits of good taste and verisimilitude. Lafleche offers somewhat-sensational reasons why Troy is the way he is, which readers may not find suitably explanatory; one almost wishes that he hadn’t bothered, as they don’t really say very much about the character’s destructive and often horrifying choices. In the end, readers won’t come away with any kind of greater understanding of youth, addiction, or the human condition.

An intense but contrived look at a bad young man.

Pub Date: Sept. 8, 2020

ISBN: N/A

Page Count: -

Publisher: Pub House Books

Review Posted Online: April 23, 2020

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The World War II Hollywood setting is colorful, but it’s just a B picture.

MERCURY PICTURES PRESENTS

An ambitious young Italian woman makes her way among the émigrés of 1930s and ’40s Hollywood.

Maria Lagana has come to Los Angeles after her father is sentenced to confino—internal exile—for his anti-fascist advocacy in Mussolini’s Italy. Living with her mother in the Italian American neighborhood of Lincoln Heights—also home to a trio of no-nonsense great-aunts forever dressed in black—Maria finds work as a typist at Mercury Pictures International, working in the office of studio head Artie Feldman, a fast-talking showman with a collection of toupées for every occasion. In time, the letters from her father stop, and Maria becomes an associate producer, Artie’s trusted right hand, as well as the secret lover of Eddie Lu, a Chinese American actor relegated to roles as Japanese villains. When a young Italian immigrant turns up at her door introducing himself as Vincent Cortese, Maria’s past—and the mystery of what happened to her father—crashes into her present. Like the author’s earlier novels, the award-winning A Constellation of Vital Phenomena (2013) and The Tsar of Love and Techno (2015), this one builds a discrete world and shows how its denizens are shaped—often warped—by circumstance. But the Hollywood setting feels overfamiliar and the characters curiously uninvolving. While the prose frequently sings, there are also ripely overwritten passages: At a party, the “thunking heels of lindy-hopping couples dimpled the boozy air”; fireworks are described as a “molten asterisk in the heavens to which the body on the ground is a footnote.”

The World War II Hollywood setting is colorful, but it’s just a B picture.

Pub Date: July 19, 2022

ISBN: 978-0-451-49520-4

Page Count: 432

Publisher: Hogarth

Review Posted Online: March 30, 2022

Kirkus Reviews Issue: April 15, 2022

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Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.

THE MANY DAUGHTERS OF AFONG MOY

Covering 250 years, Ford’s new novel traces the way states of consciousness involving extreme moments of pain or joy interconnect seven generations of Chinese women.

Embedded images—airplanes, ships, waves—and the occasional ghostly vision highlight how these women’s lives reverberate as the focus moves back and forth in time. In 1942 China, Faye Moy, a nurse in her 50s who’s working with American forces, feels an eerie connection to a dying young pilot in whose pocket she finds a newspaper photograph of herself as a teenager and a note in her own handwriting that says, “FIND ME.” Finding oneself and/or one’s soul mate becomes the throughline of the book. Faye’s great-grandmother Afong Moy, the first Chinese woman in America, dies in childbirth after a short career being exhibited as a curiosity in the 1830s. Faye’s mother, Lai King (Afong’s granddaughter), sails to Canton after her parents’ deaths in San Francisco’s Chinatown fire of 1892. Onboard ship she bonds with a young White boy, also an orphan, and nurses him when contagion strikes. When Faye is 14, she has an illegitimate daughter who is adopted and raised in England. Presumably that girl is Zoe Moy, who, in 1927, attends the famously progressive Summerhill School, where a disastrous social experiment in fascism destroys her relationship with a beloved poetry teacher. In 2014, Zoe’s emotionally fragile granddaughter, Greta, loses both her skyrocketing tech career and the love of her life at the hands of an evil capitalist. While several earlier Moys receive aid and guidance from Buddhist monks, Greta’s troubled poet daughter, Dorothy, turns to both Buddhism and radical scientific treatment to uncover and understand how past crises, emotional, physical, and spiritual, are destabilizing her current life in 2045. Expect long treatises on anamnesis, quantum biology, and reincarnation before traveling with Dorothy’s adult daughter in 2086.

Ford raises fascinating questions, but a rushed ending too neatly ties up the answers in an unconvincing, sentimental bow.

Pub Date: Aug. 2, 2022

ISBN: 978-1-9821-5821-7

Page Count: 384

Publisher: Atria

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: June 1, 2022

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