DYLAN THOMAS

The British biographer of Ian Fleming and Rudyard Kipling memorializes the chaotic and abbreviated existence of the 20th century’s most Romantic poet.

Born in 1914, in Swansea, Wales, to a socially ambitious schoolmaster and a voluble former seamstress, the precocious Dylan Thomas began writing sophisticated English poetry at the age of 10 or 12. In his teens, on summer visits to his mother’s Welsh-speaking relatives at Fernhill, the family farm for which one of his best-loved poems was named, he discovered rural Welsh traditions and began to mix English forms with Welsh images and rhythms, for which he later became famous. He also began to drink, and the drinking never slackened. At 22, after publishing his first book (18 Poems), he wed Caitlin Macnamara, the beautiful, wild, hard-drinking young mistress of painter Augustus John; and so began one of the era’s stormiest, most violent literary marriages. For the rest of Thomas’s short life, until his death from alcohol poisoning in Greenwich Village in 1953, he and Caitlin traveled, drank, fought, cadged money, cheated on each other publicly and obsessively, and made increasingly squalid scenes on three continents. That Thomas also created a body of masterful, if sometimes opaque, lyrical poetry and performed it beautifully on stage and radio explains his extraordinary and lasting popular notoriety. His best-known work, Under Milk Wood, not quite complete when he died, extended his life’s drama for a little while, as friends, handlers, and Caitlin all stormed his New York hotel room, vying for possession of the poet’s last, great work.

Scrupulously researched but overly detailed.