Readers who wince at the very thought of Petey Pat as a grown man’s name should probably look elsewhere.
Father Greeley’s blarney-soaked latest (Irish Tweed, 2009, etc.) teaches that heaven can wait.
An undersized, self-acknowledged geek as a schoolboy on the outskirts of Chicago, Peter Patrick Kane grows up to be extraordinary, to be a hero, to eventually pin the Congressional Medal of Honor on his no-longer-scrawny chest. Changed as he is, Petey Pat’s love for Mariana Pia Pellegrino, ignited in the second grade, seems immutable. There are, however, obstacles, and parental objections on both sides force the lovers into divergent trajectories. Beautiful, brainy Mariana Pia becomes a high-powered lawyer, Petey Pat a courageous soldier, much admired and respected by his comrades in arms. On his third deployment in Iraq, a roadside bomb explodes and Captain Petey Pat, gallant to the end, dies with Mariana Pia’s name on his lips. Or does he? Certainly the docs on the spot are convinced. Not so, the “deceased” will eventually argue. For nine-and-a-half minutes he’d simply gone a kind of AWOL, he insists, describing an extraterrestrial journey during which he dropped in on “The City” for an interesting encounter with the One—or the One in Three, or the Boss, or God, if you will; He goes by all those names in the angelic community. Their chat (stage-Irish turns out to be heaven’s lingua franca) proves amiable, despite the fact that angles are clearly being worked. Playing Cupid for reasons best known to Himself, God attempts to imbue Petey Pat with a sense of mission concerning Mariana Pia. Slight though it be, thereby hangs the tale. Furnishing the recently dead young soldier with his marching orders, the One says, providentially, “See you later, Petey Pat.”
Readers who wince at the very thought of Petey Pat as a grown man’s name should probably look elsewhere.Pub Date: Oct. 1, 2009
ISBN: 978-0-7653-2250-0
Page Count: 192
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental...
With the help of unusual houseguests, a teenage girl who tries to rebel by airing her family’s dirty laundry cleans up her act instead.
To Merit Voss, the white picket fence around her house is the only thing normal about the family it contains. She lives in a converted church with her father, stepmother, and siblings, and although her parents have been divorced for years, her mother still lives in the basement, struggling with social anxiety. No one in her family is religious, so her brother Utah updates the church marquee every day with fun facts instead of Bible verses. Merit is less accomplished than her identical twin sister, Honor, so she likes to buy used trophies to celebrate her failures. But Honor seems to have a fetish for terminally ill boys, so it’s a surprise to Merit when Sagan, who is perfectly healthy, kisses Merit after mistaking her for her sister—and then reveals that he’s living in their house. Soon they have another houseguest, Luck, whose connection to the family makes Merit even more convinced she’s living in a madhouse. So why is everyone so angry at her? Merit has a love/hate relationship with her sister. She's conflicted by her feelings for Sagan, who leaves intriguing sketches (illustrated by Adams) around the house for her to decipher. She’s simultaneously intrigued and repulsed by Luck, who annoys her with his questions but is also her confidant. She can’t sit through dinner without starting a fight; she’s been skipping school for days; and when she decides to give her whole family the silent treatment, Sagan is the only one who notices. In fact, he and Luck are the only people in the house who recognize Merit’s quirks for what they really are—cries for help. And when Merit takes drastic measures to be heard, the fallout is both worse and much better than she feared. Hoover (It Ends With Us, 2016, etc.) does an excellent job of revealing the subtle differences between healthy teenage rebellion and clinical depression, and Merit’s aha moment is worthy of every trophy in her collection.
This quirky, complex, and frustrating heroine will win hearts and challenge assumptions about family dysfunction and mental illness in a life-affirming story that redefines what’s normal.Pub Date: Oct. 3, 2017
ISBN: 978-1-5011-7062-1
Page Count: 384
Publisher: Atria
Review Posted Online: Aug. 5, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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