Three well-written but fleeting vignettes from some of the darkest edges of the internet.
Three intriguing pieces of journalism about the new threats of a digital age.
O’Hagan (The Illuminations, 2015, etc.) is known as a three-time Man Booker Prize–nominated novelist, but he’s also a razor-sharp London-based reporter, as evidenced by these three stories from “the wild west of the Internet, before policing or a code of decency.” His subjects are diverse and mostly well-known. In the first, “Ghosting,” the author describes how he assumed the unenviable position of ghostwriting the autobiography/manifesto of Julian Assange, the infamously imperiled WikiLeaks founder. “It needs to be more like Ayn Rand,” said Assange during one of their strange meetings. “I don’t know if I can help you with that,” was the author’s straightforward reply. Describing his subject as “a cornered animal,” O’Hagan delivers a troubling portrait of paranoia, trespasses, and consequences that feels unique because of the writer’s unique proximity to his subject. The second work, “The Invention of Ronald Pinn,” is equally dark, chronicling O’Hagan’s successful attempt to create a real identity for a long-dead man. He succeeded in generating an income with Bitcoins and buying heroin and counterfeit money online. “To the moderators of Silk Road or Agora,” writes the author, “the world is an inchoate mass of desires and deceits, and everything that exists can be bought or sold, including selfhood, because to them freedom means stealing power back from the state, or God, or Apple, or Freud. To them, life is a drama in which power rubs out one’s name; they are anonymous, ghosts in the machine, infiltrating and weakening the structures of the state and partying as they do, causing havoc, encrypting who they are.” The third story, “The Satoshi Affair,” finds O’Hagan tapped to reveal the identity of Craig Wright, an awkward Australian computer scientist, as “Satoshi Nakamoto,” the cryptic inventor of Bitcoin, only to find that even his real subjects can be frauds after all.
Three well-written but fleeting vignettes from some of the darkest edges of the internet.Pub Date: Oct. 10, 2017
ISBN: 978-0-374-27791-8
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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