A remarkably new and inventive take on a momentous episode in the 15th century.
A debut historical novel dramatizes the first contact between Columbus and natives in the Caribbean.
In his book, Rowen braids a series of parallel stories about Columbus and his crew’s initial encounter with the Taino natives he stumbles on when he finds the Caribbean Islands. While the climax of the tale is the crucial point of discovery in 1492, the author begins the narrative in the middle of the 15th century, detailing Columbus’ childhood in Genoa, his early professional pursuits as a merchant and cartographer, and his unrelenting quest to win financial backing for his bold expedition directly across the ocean to the Indies. Rowen also adroitly reconstructs Queen Isabella’s tortured ascendancy to the throne and the political intrigue she navigated since she was a teenager. But most impressively, without the benefit of any written Taino history, the author re-creates the lives of the natives long before Columbus arrives, chronicling the paths of three tribal leaders—caciques—and their varying responses to the European visitors they first believe, in their ghostly pallor, look like spirits or corpses. One of them, Guacanagarí, allows Columbus to erect a more permanent structure on his land, a decision the other two chieftains, Caonabó and Guarionex, consider incautious. Their judgment is confirmed once Columbus’ crew becomes abusive of the women in the absence of their admiral. In addition, Bakako, a young native boy, is taken captive by Columbus and used as a navigator and interpreter, and his astonished curiosity reflects the general bewilderment of the Taino people. The plot concludes in 1493, in advance of Columbus’ return, amid volatilely deteriorating relations between the Taino people and his men. Rowen’s research—a combination of scholarly investigation and travel conducted over six years—is nothing less than breathtaking. The sensitivity and originality of his portrayals are equally impressive, avoiding the trap of simply retelling a familiar tale from an exclusively European perspective or casting the explorers as nothing more than rapacious colonialists. Furthermore, the tale intelligently captures the religious impulse behind Columbus’ adventure as well as the Spanish Inquisition: the powerful Christian devotion of Queen Isabella and King Ferdinand.
A remarkably new and inventive take on a momentous episode in the 15th century.Pub Date: Nov. 8, 2017
ISBN: 978-0-9991961-0-6
Page Count: 598
Publisher: CreateSpace
Review Posted Online: Oct. 20, 2017
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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