The Confessions of Max Tivoli was more inventive and more satisfying.
A woman inhabits three different selves in a time-travel novel from an author long fascinated by the manipulation of time (The Confessions of Max Tivoli, 2004, etc.).
Young men are dying like flies. It’s 1985, and AIDS is rampant, especially in Greenwich Village, where Greta Wells is mourning the death of her beloved twin brother, Felix. Not only that: Her longtime lover, Nathan, has left her for a younger woman. “Any time but this one” is what Greta yearns for. Her prayer is answered, sort of, when she begins a course of electroconvulsive procedures and finds herself, an earlier Greta, in 1918. Husband Nathan is away at war (about to end); on the homefront, Greta has an admirer, Leo, a virginal actor, while brother Felix, deep in the closet, is set to marry a senator’s daughter. After her next procedure, Greta is in 1941, shortly before Pearl Harbor. Here again, she and Nathan are married, with a small son; she’s recovering from a car accident. Felix, no longer in denial, is having a secret affair with Alan (by 1985, they’ll be all the way out); when he’s busted in a gay bar, his wife will divorce him. Another day, another procedure, another time shift. Greta is just a bird of passage in these other eras, which are quite as turbulent as her own: on the national scale, war and pestilence (the 1918 flu epidemic); on the domestic scale, infidelities (both earlier Nathans were cheating on her, while Greta’s one night with Leo led to her pregnancy). Greta is monitoring two emotional upheavals, her own and those of Felix; all this leads to more confusion than enlightenment. Punches are pulled (Greta fails to confront the 1941 Nathan over his adultery), and melodrama blooms. Was all the back and forth worth it when all it yields is a small epiphany?
The Confessions of Max Tivoli was more inventive and more satisfying.Pub Date: June 25, 2013
ISBN: 978-0-06-221378-5
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 24, 2013
Kirkus Reviews Issue: March 15, 2013
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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