by Andro Linklater ‧ RELEASE DATE: Oct. 13, 2009
A well-wrought study of far-reaching treachery in the early years of the United States.
In-depth portrait of the treasonous General James Wilkinson (1757–1825).
The historian Frederick Jackson Turner called Wilkinson “the most consummate artist in treason the nation has ever possessed,” and historian Linklater (The Fabric of America: How Our Borders and Boundaries Shaped the Country and Forged Our National Identity, 2007, etc.) builds a strong case that he deserved that title. Wilkinson had an impressive military career. He fought in the battle of Saratoga during the Revolutionary War, led troops during the War of 1812 and was appointed governor of the newly organized Louisiana Territory by President Thomas Jefferson. But throughout his life, rumors abounded that he was a spy for the Spanish. Four different presidents were informed of Wilkinson’s close Spanish contacts in New Orleans and Madrid, and four official inquiries were made to investigate accusations against him, but Wilkinson was repeatedly cleared of all charges. Later, he was accused of collaborating with Aaron Burr on a plot to create an independent nation in the West; he was court-martialed and cleared again. It wasn’t until decades after his death—when historians uncovered hundreds of documents detailing Wilkinson’s correspondence with and payment by Spanish handlers—that the extent of his betrayal was revealed. Linklater paints a colorful portrait of Wilkinson as an extraordinarily careful individual who frequently communicated with his Spanish contacts via codes and ciphers, and laundered payments through real-estate deals. But his motives for treason may have been more complex than mere monetary gain. Wilkinson, the author argues, also had a selfish and insatiable hunger for information and intelligence, and “possessed an exceptionally well-informed, clear-eyed view of the rapidly changing era in which he lived, and of the advantages to be wrung from it.”
A well-wrought study of far-reaching treachery in the early years of the United States.Pub Date: Oct. 13, 2009
ISBN: 978-0-8027-1720-7
Page Count: 400
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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