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CHESHIRE CROSSING

A shrewd and spirited adaptation that will leave audiences hoping for another installment.

The action of this graphic fantasy takes place Second Star to the Right, straight on through the Looking Glass, in a place that is definitely not Kansas anymore!

Novelist Weir (yes, the Weir of The Martian fame) and cartoonist/illustrator Andersen’s deliciously funny debut team-up reunites the heroines from three of the Victorian era’s most memorable children’s books and sends them on a rollicking adventure. All teenagers, Wendy Darling, Dorothy Gale, and Alice Liddell are united at a special research facility where their parents send them to be educated. Under the tutelage of the enigmatic Dr. Rutherford and the ever watchful eye of a certain nanny who flies via umbrella, each girl discovers her powers and a sense of personal agency as they team up to free their respective fantasy lands from the combined menace of the Wicked Witch of the West and Capt. Hook. Each heroine emerges as a fully three-dimensional protagonist with a distinctive personality that enables her to feel both timeless and timely. The tart-tongued Alice is not averse to dropping the occasional “#%$@,” while tomboyish Wendy is as battle savvy as Peter ever was. Andersen’s delightful cartoon drawing style meshes perfectly with Weir’s prose, allowing the work to broaden its appeal beyond middle graders to young adults and adults. In the illustrations, Alice and Wendy both present white while Dorothy has brown skin.

A shrewd and spirited adaptation that will leave audiences hoping for another installment. (Fantasy. 12-adult)

Pub Date: July 9, 2019

ISBN: 978-0-399-58207-3

Page Count: 128

Publisher: Ten Speed Press

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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GIRL ON FIRE

An action-packed tale for those thirsty for more superhero stories.

Grammy Award–winning artist Keys co-authors a YA superhero graphic novel bearing the title of her hit song.

Smart, quiet 14-year-old Loretta “Lolo” Wright struggles to stand up for herself until, on what should be a routine trip to a convenience store, her 16-year-old brother, James, is mistakenly accused of stealing by the police. When the officer slams her brother to the ground, Lolo’s powers manifest for the first time. Meanwhile, Michael Warner, who lives in the same Brooklyn housing projects as the Wrights, is rejected from the football team for being too small. He develops exceptional fighting abilities and shortly afterward gets involved in working for a drug dealer named Skin. When Skin sees a video of Lolo levitating the cop who assaulted James, he wants to recruit her as well, and he tries to extort protection money from Lolo’s dad, who owns a moving business. Lolo must convince Michael to choose a different path; it’s only by working together that they can defeat Skin. Featuring dizzying shifts among multiple perspectives, this full-color graphic novel presents vibrant, expressive characters set against mostly simple, bright backgrounds, with extreme violence depicted in gory detail. The narrative briefly explores class issues and racial stereotypes, but while the setup is intriguing, the momentum fizzles and the pieces never quite come together. Most main characters are Black; Skin reads as White, and secondary characters appear racially diverse.

An action-packed tale for those thirsty for more superhero stories. (Graphic fantasy. 14-18)

Pub Date: March 1, 2022

ISBN: 978-0-06-302956-9

Page Count: 256

Publisher: HarperAlley

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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HAMLET

From the Campfire Graphic Novels series

A solid introduction for budding lovers of the Bard.

Something is rotten in the state of Denmark.

The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.

A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)

Pub Date: Aug. 27, 2019

ISBN: 978-93-81182-51-2

Page Count: 90

Publisher: Campfire

Review Posted Online: July 12, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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