by Angela Johnson & illustrated by Beth Peck ‧ RELEASE DATE: Jan. 1, 2004
Peck’s strong, evocative pastels with their vintage look are just right for Johnson’s home run of a story. A girl tells of her Grandmama’s birth and how her dad said his new baby would play just like the great Negro League catcher Josh Gibson. And so she did, practicing her hitting even though girls didn’t play baseball in the ’50s—except for one Fourth of July, when her cousin Danny’s injury leaves an opening on his team. Grandmama hit the ball, caught the ball, and stole home—“just like Josh Gibson.” The action takes place in memory, while the girl and her grandmother sit at a kitchen table with a photograph, bat, glove, and ball. An end note offers a brief bio of Gibson and makes reference to two female players who also have splendid picture books about them: Alta Weiss, who played pro ball in Deborah Hopkinson’s Girl Wonder: A Baseball Story in Nine Innings (p. 232) and Jackie Mitchell, who struck out Babe Ruth and Lou Gehrig back-to-back in Marissa Moss’s upcoming Mighty Jackie, the Strike-out Queen. Johnson never disappoints; in this one memory, family stories and baseball braid together a sweetly powerful and slyly subversive tale. (Picture book. 6-9)
Pub Date: Jan. 1, 2004
ISBN: 0-689-82628-1
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2003
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by Maribeth Boelts & illustrated by Noah Z. Jones ‧ RELEASE DATE: Oct. 1, 2007
The hottest fad can also be the most expensive and out of reach for children in limited financial circumstances. Jeremy, living with his Grandma, dreams of wearing the latest cool black high-tops with two white stripes. But as Grandma points out, “There’s no room for ‘want’ around here—just ‘need’ ” and what Jeremy needs and gets is a new pair of winter boots. Jeremy’s quest for new sneakers takes on more urgency when his old pair fall apart, and the only choice is the Velcro baby-blue set meant for little kids found in the school’s donation box by the guidance counselor. Even Grandma understands and together they search several thrift shops and actually find the coveted black high-tops, but they’re too small. Buying them anyway, Jeremy makes a heartfelt decision to put them to a more practical and generous use. Boelts blends themes of teasing, embarrassment and disappointment with kindness and generosity in a realistic interracial school scenario bringing affecting closure to a little boy’s effort to cope in a world filled with materialistic attractions and distractions. Muted browns/greens/blues done in watercolors, pencils and ink, and digitally arranged, add to the story’s expressive affirmation of what is really important. (Picture book. 6-9)
Pub Date: Oct. 1, 2007
ISBN: 978-0-7636-2499-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
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by Maribeth Boelts ; illustrated by Daniel Duncan
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by Maribeth Boelts ; illustrated by Angela Dominguez
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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