An engrossing novel that successfully ponders the justification for revenge and yet remains suspenseful until the end.



A wealthy industrialist’s compassionate act triggers retribution in this thriller set in Paris.

Jonathan Sinclair is a perfect example of the proverb “No good deed goes unpunished.” Life is grand for the rich industrialist, as the woman he has always loved, Kathy Hunter, leaves her abusive husband and moves to France to live with Jonathan. But there are signs that all is not well. His prototype machinery for finding diamonds underwater quits working properly. He and Kathy almost get run off the road on the ride home from the airport. Then there are the strangers lurking around his rural home. What Jonathan doesn’t realize is that these incidents are part of a vendetta planned by a man named Aziz Bey. That’s because two years earlier in Paris, an offended Jonathan halted a sadistic sex show staged by Bey for members of the ultra-secret gentlemen’s club to which both belong: “Bey’s screams about honor and retribution followed” Jonathan as he “covered the girl with his jacket and, lifting her into his arms, strode across the foyer and out onto the street.” Despite the two men’s history, in order to keep the peace at “the Club,” Jonathan agrees to a business meeting with Bey, who tricks Kathy into attending as well. This leads to a night of horror for Kathy, resulting in her monthslong mission of revenge on those who tortured her, while she attempts to keep Jonathan oblivious to what really happened that evening. Herst (Tunnel Vision, 2015) has created an intricately crafted thriller that requires the reader to pay close attention. Her use of flashbacks can be somewhat jarring, but is essential as she slowly reveals the cruelty inflicted upon Kathy. Her benevolent characters are well drawn, especially Jonathan and Kathy, but her villains are rather two-dimensional (the simpering Bey as well as a pompous German industrialist and a blustering American ex-senator). But her narrative is propulsive and absorbing, with Kathy sadly laboring to keep Jonathan in the dark as she meticulously plots her vendetta. Herst again delivers a winning, complex thriller.

An engrossing novel that successfully ponders the justification for revenge and yet remains suspenseful until the end.

Pub Date: Aug. 18, 2016

ISBN: 978-1-5334-2739-7

Page Count: 434

Publisher: CreateSpace

Review Posted Online: Sept. 15, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Amateurish, with a twist savvy readers will see coming from a mile away.


A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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