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FOLKLORN

A quiet but compelling rumination on family, race, and trauma, built on the spaces in Korean folktales.

A Korean American physicist with a postdoc position in Stockholm grapples with the real and imagined ghosts of her family’s past.

Elsa Park’s time in the Antarctic conducting research on neutrinos is coming to an end, punctuated by the reappearance of a specter from her past: a girl who has played with her, advised her, and followed her since she was a child. Though Elsa left her home just outside Los Angeles for boarding school and eventually her position in Sweden, her friend’s reappearance heralds a return to her old life in California, centered around her father’s crumbling auto body shop, where she must confront the complicated ties that bind her to her father, mother, and older brother. Hanging over all this are the stories her mother told—and didn’t tell—dark tales of girls sacrificed for bells, girls lost at sea, girls used. Who is Elsa’s friend really, since no one else can see her, and what does she mean for their family? Oskar Gantelius, a Korean adoptee Elsa met in Sweden, may hold the key to her questions if she can manage to make sense of all the stories. Ruminations on physics are interspersed with Korean folktales, though intergenerational trauma means the narrative can never soar into whimsy for long. Elements of magical realism are tempered well by the realities of one Korean immigrant family. Though Elsa is often an unlikable narrator, her story is gripping and rings as true as the bell she hears in her mind.

A quiet but compelling rumination on family, race, and trauma, built on the spaces in Korean folktales.

Pub Date: April 27, 2021

ISBN: 978-1-64566-016-3

Page Count: 384

Publisher: Erewhon

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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YELLOWFACE

A quick, biting critique of the publishing industry.

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What happens when a midlist author steals a manuscript and publishes it as her own?

June Hayward and Athena Liu went to Yale together, moved to D.C. after graduation, and are both writers, but the similarities end there. While June has had little success since publication and is struggling to write her second novel, Athena has become a darling of the publishing industry, much to June’s frustration. When Athena suddenly dies, June, almost accidentally, walks off with her latest manuscript, a novel about the World War I Chinese Labour Corps. June edits the novel and passes it off as her own, and no one seems the wiser, but once the novel becomes a smash success, cracks begin to form. When June faces social media accusations and staggering writer’s block, she can’t shake the feeling that someone knows the truth about what she’s done. This satirical take on racism and success in the publishing industry at times veers into the realm of the unbelievable, but, on the whole, witnessing June’s constant casual racism and flimsy justifications for her actions is somehow cathartic. Yes, publishing is like this; finally someone has written it out. At times, the novel feels so much like a social media feed that it’s impossible to stop reading—what new drama is waiting to unfold. and who will win out in the end? An incredibly meta novel, with commentary on everything from trade reviews to Twitter, the ultimate message is clear from the start, which can lead to a lack of nuance. Kuang, however, does manage to leave some questions unanswered: fodder, perhaps, for a new tweetstorm.

A quick, biting critique of the publishing industry.

Pub Date: May 16, 2023

ISBN: 9780063250833

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 22, 2023

Kirkus Reviews Issue: March 15, 2023

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HANG THE MOON

A rollicking soap opera that keeps the pages turning with a surfeit of births, deaths, and surprising plot reveals.

Historical fiction concerning the intricate battles over succession within the family that controls a poor rural county in post–World War I Virginia.

Duke Kincaid owns most of Claiborne County, both financially and politically. A charming, ruthless autocrat, feared yet beloved, he has three acknowledged children by three different wives (not to mention unacknowledged offspring). Shortly after his fourth marriage, the Duke dies unexpectedly. Although pragmatic, street-smart middle child Sallie is his intellectual and emotional heir, the Duke leaves his estate to her emotionally oversensitive half brother, Eddie, because he’s the only boy. Seventeen-year-old Sallie is devoted to Eddie, who's 13, but after he commits suicide she's torn by conflicting loyalties to her weak but lovable stepmother; her father’s scheming but able sister; and her older half sister, Mary, who's next in line to inherit the Kincaid empire but has not lived in Claiborne Country since her parents divorced. Family intrigue plays out against the backdrop of 1920s Claiborne County, where racism is a given, Prohibition is the law, and bootlegging is the main source of income for Blacks and Whites. Staunch prohibitionist Mary goes to war against the bootleggers using an enforcer who employs extreme violence. Sallie wants to support her sister but sympathizes with the bootleggers—her neighbors and tenants—and recognizes that the family's finances depend on trading whiskey. Defining what is moral becomes complicated for Sallie. So does defining family. Tough and independent, Sallie refuses to let womanhood limit her ambitions as she earns the nickname Queen of the Kincaid Rumrunners. History buffs will enjoy the many hints Walls sprinkles to show that Tudor England is her novel’s template (the Duke’s marriage to his brother’s widow; his banished daughter, Mary, and short-lived heir, Edward; the Kincaids’ counselor Cecil, etc.). Television buffs will smile at the Kincaids’ resemblance to the Roys of Succession.

A rollicking soap opera that keeps the pages turning with a surfeit of births, deaths, and surprising plot reveals.

Pub Date: March 28, 2023

ISBN: 9781501117299

Page Count: 368

Publisher: Scribner

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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