Both a compassionate and uncompromising coming-of-age tale.

LAY IT ON MY HEART

Pneuman’s latest raises a tantalizing question about a 21st-century man of faith: How do you know if he's a prophet of God or just in need of some lithium?

Thirteen-year-old Charmaine lives comfortably in East Winder, Kentucky, a town notable for its churches, its seminary and the evangelical legacy of Custer Peake, Charmaine’s grandfather. Her father, David, is a prophet making a living writing spiritual tracts on fasting and ceaseless praying. That is, he was until last year, when he gave up his job to “live on faith alone” (with his mother, Daze, paying the mortgage and his wife, Phoebe, taking in sewing). Now he's back from a monthlong trip to the Holy Land, and Charmaine, Phoebe and Daze are hoping he'll return to work. Instead, arriving in robe and sandals, he goes into seclusion at the trailer he keeps down by the river. A few days later, he’s found wandering about naked and burned, from taking a bath in bleach. While he’s recuperating at a mental facility, Phoebe and Charmaine move into the trailer and rent their house to a family of sanctimonious missionaries. This is an inopportune time for Charmaine’s family to fall apart: She’s just starting middle school, her breasts have become embarrassingly large, and she has to ride the school bus with the country kids, who smoke and swear and don’t live in the light of the Lord. Charmaine wishes her story would end like A Wrinkle in Time— the daughter’s love rescues the father who disappears. Now on heavy medication, David no longer hears God. What does this mean for Phoebe, who has lived according to his visions, or for Charmaine, who believed her father anointed by God, not manic-depressive? In the narrative voice of a 13-year-old girl, Pneuman raises timeless questions about faith, sacrifice and parental folly.

Both a compassionate and uncompromising coming-of-age tale.

Pub Date: July 1, 2014

ISBN: 978-0-15-101258-9

Page Count: 320

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: June 19, 2014

Kirkus Reviews Issue: July 1, 2014

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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