Microsoft Word made simple in this valuable, user-friendly manual.
Part of a series on computer programs and social media platforms, this guide teaches the basics of Microsoft Word and gives tips for making the most of it.
Rose (PowerPoint Basics in 30 Minutes, 2017, etc.) is devoted to Microsoft Word. “I cannot imagine working as a freelance writer without it,” she maintains. Anticipating anxiety about upgrading to Word 2019, she reassures readers that it’s familiar from the 2013 and 2016 versions: “The interface is super intuitive and a snap to learn.” Throughout this second edition of her manual, she helpfully notes the differences between the Windows and Mac versions and discusses the particulars of Word Online, which is free to access but has “reduced functionality.” From the Backstage view through the customizable Ribbon to document protection options, the book covers everything that beginners need to know while peppering in “Protips” that will help intermediate users employ Word more effectively. Acknowledging that the software may be used in academic, office, and personal settings, the work highlights a wide range of features, such as utilizing citation tools, applying styles and themes to a whole document, converting text to a table, inserting photos and videos, and operating the new Draw feature. Screenshots serve as apt illustrations. At times, the volume appears a little too basic (like a “For Dummies” guide), as in “press the Word 2019 icon on your desktop,” and “check to see if your printer is turned on.” Certain tasks, such as applying bold or italics, are so self-explanatory they hardly warrant a mention. Rose doesn’t always seem attuned to contemporary computer use patterns—“You will eventually want to print the document” isn’t true in an increasingly paperless society. Some readers may find her persistent cat stories annoying, too. Such authorial presence (including “I personally…” usage notes) is unnecessary in a software guide, though it makes for a conversational tone. The end matter—including an index and an appendix of keyboard shortcuts—is particularly helpful, as is the advice on document recovery. Despite the title, plan on needing closer to an hour to work through the book.
Microsoft Word made simple in this valuable, user-friendly manual.Pub Date: April 2, 2018
ISBN: 978-1-64188-030-5
Page Count: 104
Publisher: i30 Media
Review Posted Online: Aug. 6, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
