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THE LITTLE YELLOW BOTTLE

Likely to find its place on a few classroom shelves

An earnest effort to shed light on the devastating effects of war on children.

Days after a village in an unnamed country is bombed, best friends Marwa and Ahmad are kicking a soccer ball when they come across a shiny yellow bottle. Ahmad picks it up, and the ensuing explosion injures both children. Marwa, the narrator of the story, heals completely from her injuries, but Ahmad has lost two limbs. When he's visited by a man who's similarly injured and living a full life with an artificial leg, Ahmad slowly regains hope. The illustrations are a blend of drawing and collage made to look like pages torn out of a child's school notebook. Inexplicably, the two illustrations that graphically depict Ahmad's injuries show the loss of limbs on different sides of his body. This well-intentioned but misplaced adult desire to expose injustices and laud the courage of children disfigured by landmines results in a weak story. There are no secrets about the direction the simplistic, didactic narrative will take, with a special message from Handicap International laid out opposite the title page. It's harder to tell who the intended audience is for this book; it's likely to appeal more to advocates of bibliotherapy than to children.

Likely to find its place on a few classroom shelves . (Picture book. 6–9)

Pub Date: March 1, 2012

ISBN: 978-1-926920-34-4

Page Count: 24

Publisher: Second Story Press

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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THE TREE AND ME

From the Bea Garcia series , Vol. 4

A funny and timely primer for budding activists.

Problems are afoot at Emily Dickinson Elementary School, and it’s up to Bea Garcia to gather the troops and fight.

Bea Garcia and her best friend, Judith Einstein, sit every day under the 250-year-old oak tree in their schoolyard and imagine a face in its trunk. They name it “Emily” after their favorite American poet. Bea loves to draw both real and imagined pictures of their favorite place—the squirrels in the tree, the branches that reach for the sky, the view from the canopy even though she’s never climbed that high. Until the day a problem boy does climb that high, pelting the kids with acorns and then getting stuck. Bert causes such a scene that the school board declares Emily a nuisance and decides to chop it down. Bea and Einstein rally their friends with environmental facts, poetry, and artwork to try to convince the adults in their lives to change their minds. Bea must enlist Bert if she wants her plan to succeed. Can she use her imagination and Bert’s love of monsters to get him in line? In Bea’s fourth outing, Zemke gently encourages her protagonist to grow from an artist into an activist. Her energy and passion spill from both her narration and her frequent cartoons, which humorously extend the text. Spanish-speaking Bea’s Latinx, Einstein and Bert present white, and their classmates are diverse.

A funny and timely primer for budding activists. (Graphic/fiction hybrid. 6-9)

Pub Date: May 14, 2019

ISBN: 978-0-7352-2941-9

Page Count: 160

Publisher: Dial Books

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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