A sparkling, enjoyable look at how globalization affects love.

MARRYING ANITA

A QUEST FOR LOVE IN THE NEW INDIA

Single Indian-American female, 33, seeks worldly yet marriage-minded man abroad and finds a complex blend of perspectives on relationships.

On the surface, Jain’s debut memoir is the newest entry in the Sex and the City/Bridget Jones’s Diary–fueled glut of women’s laments, fictional and otherwise, about unreliable men. Disappointed by her isolating social life in New York, one of several international cities where she worked as a journalist after graduating from Harvard, the author moved to Delhi in 2005, hoping to find a husband either through an arranged marriage or a more Western-style courtship. Though Jain serves up some amusingly familiar dating horror stories, her exploration of cultural change makes her more than a South Asian Carrie Bradshaw. In a charmingly wry voice, she deftly interweaves the stories of friends, relatives and suitors, each tale illuminating another twist of the labyrinthine path to happiness offered by life in a subcontinent saturated by both tradition and technology. The author introduces readers to fellow singles whose marital ambitions are as impeded by Delhi’s new, promiscuous youth culture as by ancient caste prejudices. Her cousins are small-town wives forbidden from so much as removing their jewelry without permission; their lives bewilder Jain, but they seem happy. A friend from India’s northeastern region looks Japanese and identifies with East Asian men; he reminds the author of her own difficult-to-define multinational identity. That puzzle is the real theme of this introspective memoir. Jain’s assured, insouciant intellectualism is as engaging to the reader as it is problematic in her search for a mate. In the arranged-marriage milieu, the ideal man is a studious doctor or engineer, but such types are naïfs in the face of the author’s sophisticated frame of reference. She wants a literate, feminist-minded, well-traveled partner, but there is no established venue to meet him or shorthand to describe him; the paradigm is too new. Rather than simplistically condemning modernity as an enemy of intimacy, however, Jain playfully relishes analyzing it.

A sparkling, enjoyable look at how globalization affects love.

Pub Date: Aug. 4, 2008

ISBN: 978-1-59691-185-7

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2008

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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