HOW THE ROOSTER SAVED THE DAY

Lobel is in direct touch with the preschool funnybone in this folklike tale of a robber who creeps at night into a barn, aiming to make off with the rooster. But the rooster throws him off guard by claiming deafness due to having quacked too much. . . no, barked. . . sorry, oinked. . . or was it mooed? With each new claim the robber scoffs and corrects the rooster ("It is dogs who are the barking ones," etc.) and at last, loud enough for the purportedly deaf rooster to hear, he demonstrates what roosters should say—thereby crowing up the sun, which causes him to flee for fear of being seen. Anita Lobel puts this low-comic robber/rooster encounter on a stage framed with elaborate, fantastic curtains, and she depicts each of the rooster's claimed, unroosterlike activities (i.e., swimming and quacking with the ducks) with rich, mock-serious fullness. It's not the look most would envision for the story's simple humor, but it makes a splendid show, and this wily rooster, in all his golden glory, is a natural performer.

Pub Date: March 28, 1977

ISBN: 0140503099

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: March 1, 1977

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An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some...

RALPH TELLS A STORY

With a little help from his audience, a young storyteller gets over a solid case of writer’s block in this engaging debut.

Despite the (sometimes creatively spelled) examples produced by all his classmates and the teacher’s assertion that “Stories are everywhere!” Ralph can’t get past putting his name at the top of his paper. One day, lying under the desk in despair, he remembers finding an inchworm in the park. That’s all he has, though, until his classmates’ questions—“Did it feel squishy?” “Did your mom let you keep it?” “Did you name it?”—open the floodgates for a rousing yarn featuring an interloping toddler, a broad comic turn and a dramatic rescue. Hanlon illustrates the episode with childlike scenes done in transparent colors, featuring friendly-looking children with big smiles and widely spaced button eyes. The narrative text is printed in standard type, but the children’s dialogue is rendered in hand-lettered printing within speech balloons. The episode is enhanced with a page of elementary writing tips and the tantalizing titles of his many subsequent stories (“When I Ate Too Much Spaghetti,” “The Scariest Hamster,” “When the Librarian Yelled Really Loud at Me,” etc.) on the back endpapers.

An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some budding young writers off and running. (Picture book. 6-8)

Pub Date: Sept. 18, 2012

ISBN: 978-0761461807

Page Count: 32

Publisher: Amazon Children's Publishing

Review Posted Online: Aug. 22, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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CINDERELLA

This companion piece to the other fairy tales Marcia Brown has interpreted (see Puss In Boots, 1952, p. 548 and others) has the smoothness of a good translation and a unique charm to her feathery light pictures. The pictures have been done in sunset colors and the spreads on each page as they illustrate the story have the cumulative effect of soft cloud banks. Gentle.

Pub Date: June 15, 1954

ISBN: 0684126761

Page Count: 40

Publisher: Scribner

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: June 15, 1954

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