Next book

BALANCING ACT

Bunkley (Starlight Passage, 1996, etc.) has toned down her tendency toward purple prose, but, ironically, while the writing's vastly improved in this new outing, the plot could use some livening up. Elise Jeffries and her husband Blake have been through some hard times; ever since Elise lost her hospital p.r. job in a scandal, the couple has struggled financially and emotionally. Now, however, when Elise gets an opportunity to be the media spokesperson for ScanTron Security International, a company based in her hometown of Flatwoods, Texas, the tide appears to be turning for the better—until the massive ScanTron complex explodes in flames, and the townspeople, some of whom were injured in the fire, want answers and want them now. Was the company complex, as seems increasingly likely, housing toxic chemicals? To Elise's frustration, Al Patterson, the surly, seemingly racist and outspokenly sexist manager of the ScanTron site, won't provide pertinent information to anyone, least of all Elise. And while vain, handsome TV reporter Carlos Rico gets on Elise's case, harassing her for answers in an attempt to boost his own profile, her parents, her best childhood friend, Damita, and all of her old acquaintances in town say can't understand why she's working for the enemy. When it appears that ScanTron's been keeping some deadly secrets, threatening those that Elise loves most, her crisis of conscience, troubled marriage, and spotted past are all brought to the forefront, causing her to make hard decisions that will alter the course of many lives. Fast-moving and realistic, though readers will wish that Bunkley had found ways of tempering all its somber business with other kinds of liveliness in characters and events. (Author tour)

Pub Date: July 15, 1997

ISBN: 0-525-94010-3

Page Count: 320

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1997

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Close Quickview