Wonderfully illustrated and crammed with information, this book is perfect for trivia buffs and scholars alike.
An exploration of how Italy’s volcanic geology from the breakup of the supercontinent Pangaea to modern times has affected its history, art, religion, medicine and culture.
Packed with facts, full-color photos, paintings, sketches and illustrations, Pizzorusso’s beautiful first book offers essays for many tastes and educational levels. The opening piece, for example, is a rather dry and lengthy academic study of the Etruscans who inhabited the Italian peninsula before being conquered by the Romans. Pizzorusso details how some “religious tracts were attributed to Nymph Begoe (Vegoia in Latin), a prophetess who is thought to be the source of Libri Vegoici, the books on lightning that were kept in the Temple of Apollo at Rome.” However, subsequent entries are more accessible. She writes “Pyroclastic Poets,” for instance, in a far more easygoing style, even suitably waxing poetic herself: “Throughout history, writers joined the ranks of explorers and scientists in venturing close—either actually or metaphorically to the fire spewing vents which flaunted their hot vapors, ruby colored flames and glowing briquettes like a circus juggler, enticing anyone with enough moxie to venture near.” Throughout, fascinating factoids abound: The headwear of Etruscan priests survives today as bishops’ miters, and the underworld landscapes of Virgil and Dante are based on real locations that still exist. But Pizzorusso’s real genius is in her ability to stitch together widely diverse topics—such as gemology, folk remedies, grottoes, painting, literature, physics and religion—using geology as a thread. Quoting everyone from Pliny the Elder to NASA physicist Friedemann Freund, Pizzorusso’s work is solidly backed scholarship, including extensive appendices and a bibliography. What’s more, all lengthy quotes, be they Italian, Latin or Middle English, include text in the original language as well as the English translation; often also included are copies of original manuscripts. What is notably missing, however, is anything remotely related to tweeting as well as any mention of da Vinci until the fourth section out of six, when she finally presents an extensive overview of the man.
Wonderfully illustrated and crammed with information, this book is perfect for trivia buffs and scholars alike.Pub Date: N/A
ISBN: 978-1-940613-00-0
Page Count: 222
Publisher: Leonardo da Vinci Press
Review Posted Online: May 18, 2014
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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