A distinctive page-turner starring a fine new detective.
From above the Arctic Circle comes Dana Eakin, a Dan Brown–style sleuth off to solve her first mystery in this debut novel.
The author Siri Hustvedt once described Iceland as a place where “day never really became night.” Cassin’s book—a kind of archaeological thriller—takes place in that northerly nation, and it’s a wonder that so many dark secrets can hide in a country where the sun never sets part of the year. Like a number of mysteries, the tale opens with a body, this one just barely peeking out from the thick ice. But the corpse is also nearly half a millennium old, and its slow thaw lets loose a bevy of dangers both ancient and modern. The author tasks a number of compelling characters with solving the body’s mysteries, but none of these figures are as intriguing as Cassin’s protagonist. Eakin is a remarkable new heroine—a smart, young anthropologist whose scientific acumen just happens to make her an excellent detective. (Perhaps her most recent literary forebear is Sophie Neveu of The Da Vinci Code.) Cassin hints that this might be just the first of many Eakin novels, and if that’s true, she’s off to a superb start. This tale is intricate and inventive, and its source material—Icelandic culture, epidemiology, lichenology—is quite unusual. That is not to say there aren’t some first-book wrinkles to iron out. Cassin has a tendency to overwrite. Once, when Eakin opens a heavy door, it is “as though she were entering a vault.” The author continues: “That door was authentic archival vault material,” and just a few lines later mentions the same “vault-like doors.” It’s tough to hammer a metaphor home any harder. Furthermore, the chapters—especially early on—are so brief that the narrative sometimes gets disjointed. (By Page 18, Cassin is already on Chapter 10.) It’s as if the author is so excited by her project that she wants to tell readers all of it at the same time. But as the book stretches out, Cassin relaxes. Readers do, too, and the remainder of the work is a thrill and a delight. Audiences will surely hope that this won’t be Eakin’s only case.
A distinctive page-turner starring a fine new detective.Pub Date: May 10, 2017
ISBN: 978-81-8253-545-9
Page Count: 213
Publisher: Cyberwit.net
Review Posted Online: Oct. 26, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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