An elegant picture book that manages to combine a good story, some natural history, and unusual illustrations. A family goes up Ptarmigan Mountain to pick blueberries: a mother, a father, a pigtailed older sister, and Baby. With full buckets, they discover Baby has lost a shoe, and despite a search for it, it doesn’t turn up. The tiny red sneaker first becomes a nest for a vole, then a plaything for a fox, then a potential morsel for a bear, but in the end, it is covered by earth, seeds, and winter snows. The next year, when the family returns for berry-picking, Baby—walking on his own now—finds his shoe with a blueberry stem growing in it. He carefully carries it home to plant. The illustrations are linocuts in deep rich hues, placed on backgrounds of natural leaf impressions in various matte colors. The sinuous line of the medium is used brilliantly here in the animals’ fur and feathers, the solid, friendly figures of the family, and the stylized but recognizable flora, from blueberries to grasses. A tasty offering, laced with nice surprises. (Picture book. 4-8)
Pub Date: Sept. 1, 1999
ISBN: 0-88240-518-7
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1999
BOOK REVIEW
BOOK REVIEW
This latest Froggy title (Froggy Goes to School, 1996, etc.) is utterly unfocused, with the star careening from soccer dolt to Mr. Superkick. Froggy’s team has a big game coming up with the Wild Things, and he is trying to remember the mantra his father, and assistant coach, taught him: “Head it! Boot it! Knee it! Shoot it! But don’t use your hands!” But illegally touching the ball seems to be the least of Froggy’s worries; distraction is his problem. He is so busy turning cartwheels, tying his shoes, and more, that the only time he makes contact with the ball is when it bounces off his head by mistake. Then, when the Wild Things make a breakaway, Froggy has some dazzling moves to avert a score, but forgetfully grabs the ball at the last second. The other team gets a penalty kick, converts it, but then Froggy makes a field-long kick for a game-winning score. London forces Froggy into too many guises—the fool, the hero, the klutz, the fancy dancer—but none of them stick. Remkiewicz’s illustrations have charm; it is in their appeal that this book will find its audience. (Picture book. 2-6)
Pub Date: March 1, 1999
ISBN: 0-670-88257-7
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
From Johnston (An Old Shell, 1999, etc.), poetic phrases that follow a ghostly barn owl through days and nights, suns and moons. Barn owls have been nesting and roosting, hunting and hatching in the barn and its surroundings for as long as the barn has housed spiders, as long as the wheat fields have housed mice, “a hundred years at least.” The repetition of alliterative words and the hushed hues of the watercolors evoke the soundless, timeless realm of the night owl through a series of spectral scenes. Short, staccato strings of verbs describe the age-old actions and cycles of barn owls, who forever “grow up/and sleep/and wake/and blink/and hunt for mice.” Honey-colored, diffused light glows in contrast to the star-filled night scenes of barn owls blinking awake. A glimpse into the hidden campestral world of the elusive barn owl. (Picture book. 4-8)
Pub Date: Feb. 1, 2000
ISBN: 0-88106-981-7
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
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