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GONER

An articulate and stirring Southern story written from the heart.

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Four sisters keep vigil over their dying father and find themselves reminiscing over a bittersweet family history.

Goethe’s (River Bow, 2013, etc.) nostalgic and affecting novel is set in the Deep South and follows the lives of Matthew and Margaret Sobral and their four daughters: Rebecca, Elizabeth, Kate, and Emily. The book opens in the springtime of 1980 in south Louisiana. The girls’ mother has recently died, and their father has taken to his bed, stricken by a broken heart. As the daughters watch over their dying dad, they recall their childhood growing up in a progressive family in the racially prejudiced South. Intertwined is the story of their parents’ meeting and courtship, she a plucky newspaper reporter and he a genteel headmaster. The tale’s timeline is tacked skillfully and accurately to key historical events of the era. For example, Margaret and Matthew’s lives are affected by a GI—who owns the home they are renting— returning from war on the same day that Margaret gives birth to their first child. Similarly, the emergence of Elvis Presley and the John F. Kennedy assassination have significant impacts on the family, further enhancing the tale’s vivid realism. The sisters’ conversations paint a rich and colorful portrait of growing up in the South, as they recall playing “Devil in the Ditch” against a unique rural backdrop: “It was so scary, the scariest game I ever played,” Elizabeth asserts. And Emily replies, “Because the devil was alive to us….Whatever kid was in the ditch trying to catch us, drag us down, while we jumped back and forth across the ditch, whatever kid that was, truly became the devil.” This capturing of childhood innocence is juxtaposed with deliciously perceptive commentary from the narrator: “Later the sisters will blame their mother for almost everything wrong about them, or their lives. The mothers are the easiest to blame…too meek, too cloying or—in the case of Margaret Sobral—too remote. The mother tends to be the ‘sitting duck’ for the family shooting gallery.” The result is a moving, emotionally intuitive tale, littered with surprises, that brings a branch of the Sobral family tree vibrantly to life.

An articulate and stirring Southern story written from the heart.

Pub Date: May 1, 2017

ISBN: 978-0-9995668-0-0

Page Count: 276

Publisher: 1948

Review Posted Online: Dec. 15, 2017

Kirkus Reviews Issue: Feb. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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