by Ann Harries ‧ RELEASE DATE: April 1, 1999
Harries’s first novel is a triumph: a captivating, intelligent work taking the reader to the South Africa of Cecil Rhodes, in 1899, a region on the brink of war. In an elegant merging of idea and character, Harries tells the story of the dying imperialist Rhodes (—The Colossus—), who believes his life will be saved if he can hear again the birds of his native England. With Rhodes begin the themes of the tragedies of power and the quest for control. He hires the Oxford ornithologist Frederick Wills, a private, anxious don, to escort a shipload of songbirds to the Great Granary, Rhodes’s manorial residences. Guests there include Rudyard and Mrs. Kipling and Leander Jameson, the leader of the infamous Jameson Raid that precipitated the Boer War; and Wills embarks on his utopian voyage in the aftermath of the trial and imprisonment of his friend Oscar Wilde, with whom he had studied at Oxford under aesthetician John Ruskin. Having abandoned Wilde to his imprisonment, Wills approaches the Great Granary with a troubled, betrayer’s soul. But great appetites abound as he arrives: Rhodes’s ambition to subjugate Africa, Jameson’s hope of fulfilling his loyalty to Rhodes, the Kiplings” fascination with young innocence—as well as the English power to “civilize.” In deftly written interjections, Wills recalls Ruskin’s obsessions with natural beauty and Wilde’s exhilarating flirtations with sexual and moral taboos. This concentration of aspirations unsettles him, and his own dream of innocent beauty uncorrupted by the human yearning for possession blossoms in his friendship with a South African girl, who enchantingly (and dangerously) flits in and out of view. Harries’s ambition is broad, but her superb control of Wills’s fussy voice—the narrative prism used to view these historical figures—diminishes their “fame” while enhancing the intimacy with which Wills and the reader comprehends them. Far from a costume history, this is a genuinely provocative debut novel about a place and time whose tragedy, folly, and several conflicted hearts are instantly recognizable.
Pub Date: April 1, 1999
ISBN: 1-58234-019-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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