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FISHING

In the America at Work series, Drake and Love (Forestry, 1998, etc.) offer an overview of two US fisheries, one in Maine and the other in Alaska, as experienced through the eyes of a young girl, Jessie, who travels from her Alaska home to visit her Down East grandfather. The principal catch in each locale is salmon, but the text explains that past fishing practices have radically altered traditional methods of harvest. Heavy over-fishing has reduced the Maine salmon fishery to fish farming, which is what Jessie’s grandfather introduces her to. He takes her through the process of raising salmon, and also shows her experimental work in raising halibut. When Jessie returns home, her father, who is state fisheries officer, talks to her about the wild salmon fisheries still found in Alaska, and the ideal elements necessary for prime fish habitat. It is his job to protect that habitat and insure the salmon are not over-harvested as they were on the East Coast. Although the tone of the book is wincingly didactic, for the most part the information is doled out in manageable quantities, and the crystal-clear, full-color artwork leaves no doubt about the difference between a gillnetter and a seiner, a trawler and a longliner. (Picture book. 7-10)

Pub Date: Oct. 1, 1999

ISBN: 1-55074-457-7

Page Count: 32

Publisher: Kids Can

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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BACH'S BIG ADVENTURE

PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)

Pub Date: March 1, 1999

ISBN: 0-531-30140-0

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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THE BABE AND I

Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)

Pub Date: April 1, 1999

ISBN: 0-15-201378-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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