In the America at Work series, Drake and Love (Forestry, 1998, etc.) offer an overview of two US fisheries, one in Maine and the other in Alaska, as experienced through the eyes of a young girl, Jessie, who travels from her Alaska home to visit her Down East grandfather. The principal catch in each locale is salmon, but the text explains that past fishing practices have radically altered traditional methods of harvest. Heavy over-fishing has reduced the Maine salmon fishery to fish farming, which is what Jessie’s grandfather introduces her to. He takes her through the process of raising salmon, and also shows her experimental work in raising halibut. When Jessie returns home, her father, who is state fisheries officer, talks to her about the wild salmon fisheries still found in Alaska, and the ideal elements necessary for prime fish habitat. It is his job to protect that habitat and insure the salmon are not over-harvested as they were on the East Coast. Although the tone of the book is wincingly didactic, for the most part the information is doled out in manageable quantities, and the crystal-clear, full-color artwork leaves no doubt about the difference between a gillnetter and a seiner, a trawler and a longliner. (Picture book. 7-10)
Pub Date: Oct. 1, 1999
ISBN: 1-55074-457-7
Page Count: 32
Publisher: Kids Can
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
PLB 0-688-16508-7 Buckley’s Josie, first spotted in 1962, is as sprightly as ever in Ormerod’s illustrations, nimbly eluding her family’s search. As Josie’s mother, father, and brother go looking for her around the house, they are accompanied by the musical wordplay: “Did she go inside the house—rosy house, posy house? Did she go inside the house? Is that where Josie is?” Readers can search along with Josie’s family, and will spy Josie’s legs under the table or behind a coat. Ormerod’s artwork is winsome, although the literalness of her visual narrative confines the poetry rather than liberating it. Yet the pulse of Buckley’s words is bewitching, and readers may even want to take them outside and jump rope to their beat: “Look! Is that a rosy nose, a dozy nose, a posy nose? And do you see two ribbon bows? Can you count? Are there ten toes?” (Picture book. 2-7)
Pub Date: April 1, 1999
ISBN: 0-688-16507-9
Page Count: 24
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
BOOK REVIEW
BOOK REVIEW
Music has the capacity to make friends of enemies, in this quiet study of one introverted fellow: Mole. Mole spends his days alone in his underground hovel, until one night while eating supper in front of the television, he hears the sweet sound of a violin. “I want to make beautiful music, too,” Mole claims, then sends away for a violin of his own. One note leads to another, and his music goes from screeching to symphonic. Unbeknownst to him, his years of underground practice have overarching effects, seen by readers only in the illustrations. Lilting strains of music attract birds, farmers, presidents, and queens. Mole’s subterranean world, a realm of permanent night, is softly lit by glowing umber, while outside, fighting armies lay down their arms as the music plays on. With endearing characterizations stylistically akin to Arnold Lobel’s Frog and Toad, the beloved Mole will easily win the affections of readers and inspire young hopes for a better world. (Picture book. 4-8)
Pub Date: March 1, 1999
ISBN: 0-8050-2819-6
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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