A delight.
Baby-sitters Club creator Martin joins six authors to celebrate the series’ 40th anniversary.
Martin and her co-authors chronicle a pivotal summer for the BSC gang, with each contributor following one character. On vacation with the Papadakis family, Kristy befriends a girl named Rowan and discovers feelings beyond friendship that challenge her understanding of herself. Claudia travels to Los Angeles’ Little Tokyo to learn about her grandmother Mimi, but a chaotic arts day camp derails her tribute project. Dawn co-directs the summer musical at Little Stars Camp, but her unreliable co-director and lack of experience leave her feeling like an imposter. Hoping to find where she belongs, Mallory travels to Ireland to meet her cousins, but a lie puts her newfound family connections at risk. After a stress fracture derails her summer ballet intensive plans, Jessi attends her mom’s reunion at her historically Black college, where Jessi contemplates an identity beyond dance. Mary Anne and Stacey remain in Stoneybrook. Stacey falls for a boy and learns not to lose sight of the people who matter most. Mary Anne confronts her incessant worries and develops confidence through building a community library and volunteering at an animal shelter. The BSC members’ journeys form a cohesive exploration of identity. The authors authentically portray middle school challenges, from anxiety and self-doubt to racism and sexuality, before the girls reunite with deeper senses of self. Claudia is Japanese American, Jessi is Black, and the remaining club members read white.
A delight. (contributor bios) (Fiction. 9-13)Pub Date: July 7, 2026
ISBN: 9781546171379
Page Count: 288
Publisher: Scholastic
Review Posted Online: Aug. 31, 2026
Kirkus Reviews Issue: Oct. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
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