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CITIZENS OF CAMPBELL

A delightfully sweet drama about friendship and remembrance.

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In their twilight years, two best friends, both World War II veterans, confront their mortality in this debut novel.

Nearly Kelly and Earl Johansen both grew up in Campbell, Iowa—a sleepy town where the top employer is a chicken processing plant—and have been best friends for most of their lives. As kids, they shared a penchant for mischief; Nearly was raised by a single mother and endured prejudice, due to his Native American heritage, and Earl’s father was cruelly abusive. They both served in the second world war, during which they stormed Normandy at the same time, although they didn’t realize it until later. Now they’re both elderly, and Nearly lives in a veterans home, his body ravaged by time and diabetes. Earl visits him there often, and spends most of the rest of his time in solitude, dining on TV dinners in the evening. One day, Marlene Goodhue—a long-standing native of Campbell—invites Earl over for dinner. (They briefly dated when they were younger.) She’s hosting her teenage grandniece, Laurie, who’s grieving the loss of her father a year-and-a-half ago. Earl and Laurie form an unlikely but tender friendship, sweetly portrayed by first-time novelist Reed. The elderly man takes Laurie to meet Nearly, who’d recently confessed his deepest regret to Earl: When he returned to Campbell from the war, he wanted to proclaim his arrival on the town’s public address system, but Earl talked him out of it. Laurie tries to convince the two seniors to head to the public works building to perform one last playful act of devilment. Reed poignantly captures the happy languor of small-town life, buoyed more by familiarity and nostalgia than adventure. The author’s prose is simple and bare, and she effortlessly draws her characters with impressive authenticity. She offers up too many subplots, though, creating a skein that’s impossible to disentangle in such a short novel. For example, Earl anxiously frets over a visit from his younger brother, an accomplished writer whom he hasn’t seen in years—but this storyline, which initially seems significant, is mostly neglected. Nevertheless, the story as a whole is affecting, thanks in part to the author’s light touch.

A delightfully sweet drama about friendship and remembrance.

Pub Date: Dec. 2, 2016

ISBN: 978-0-9654862-0-0

Page Count: 150

Publisher: Turtlecub Productions, Inc.

Review Posted Online: Aug. 22, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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