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CELTIC KNOT

A CLARA SWIFT TALE

A thrilling and historically edifying period tale.

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A historical novel dramatizes the murder of a prominent Irish politician in late-19th-century Canada.

Clara Swift is born in Ireland, but in the late 1860s, she moves to Montreal to work as a servant for fellow Irish native Thomas D’Arcy McGee. McGee is a political agitator of sorts and proposes the consolidation of Canadian settlements into a unified country, a nation that could simultaneously house disenfranchised Irish and serve as an example to the British Crown of the Irish capacity for self-governance. But some Irish radicals—Fenian rebels—are so committed to revolution on their country’s soil that they invade Canada to draw more British troops there, strategically diminishing their number in Ireland. When McGee is murdered, any Irishman in Canada with the most gossamer connections to the Fenians is rounded up as a suspect. On the strength of Clara’s identification, this group includes Jimmy Whelan, who quickly becomes the prime suspect. But for a variety of reasons, Clara remains unconvinced of his involvement—he actually warned the family three months ago of an assassination attempt. Shortell (Money Has No Country, 1991, etc.) conjures a memorable heroine in Clara: Only 15 years old, she’s uncannily sharp and literarily astute but endearingly guileless. She becomes increasingly concerned that McGee’s murder had something to do with a manuscript he was preparing for publication, a politically provocative critique of Americans. Maj. Pierce Doyle, the lead investigator on the case, recruits Clara to pump Whelan’s wife, Bridie, for incriminating information and to help decode McGee’s private diaries. The author skillfully builds a suspenseful mystery, cautiously meting out just enough information to keep readers gripped by the plot but not so much that the conclusion becomes transparently obvious. In addition, her prose can be elegant: “In some way, this sealed display made it seem that Mr. McGee’s death was all for show. Even Christ’s body hadn’t been left hanging so long as a lesson to his people before he’d been decently interred.” But the novel’s strongest selling point is its artful amalgam of historical scholarship and fictional drama—Shortell brings her meticulous research to vivid life.

A thrilling and historically edifying period tale.

Pub Date: March 22, 2018

ISBN: 978-1-5255-2090-7

Page Count: 336

Publisher: FriesenPress

Review Posted Online: May 18, 2018

Kirkus Reviews Issue: July 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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