When used in concert with other sources, a powerful life of a determined woman who rose from slavery to preach for freedom.
An American story of an extraordinary woman.
Writing in free verse and borrowing the voice of the great abolitionist, Turner presents a powerful account of Truth’s life. Born into slavery as Isabella and sold from family to family, she took the name Sojourner Truth and began preaching for freedom. Later in life, she dictated her story, published as The Narrative of Sojourner Truth. Ransome paints in evocative watercolors that are barely contained in full-bleed pages that capture both the drama and the sorrow of her life. Particularly effective is a double-page spread with three views of Sojourner Truth behind a pulpit forcefully “tell[ing] the news of God’s truth in meetings and gatherings.” Against a white background, the images explode across the pages. Selected words in larger type and italics are a strong component of the page design. As a read-aloud, the text is strong and effective. As a part of a curriculum, there are concerns. The first-person narrative can be mistakenly taken as an autobiography, which it is not, and quotations are not sourced.
When used in concert with other sources, a powerful life of a determined woman who rose from slavery to preach for freedom. (author’s note, photograph, further reading) (Picture book/biography. 6-8)Pub Date: Jan. 27, 2015
ISBN: 978-0-06-075898-1
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Nov. 1, 2014
A title sure to attract ballet aficionados, with added appeal for its depiction of an adoptive family and a ballerina who...
This autobiographical title for newly independent readers will reward efforts with an inspiring story about ballerina Michaela DePrince’s life and passion for dance.
Orphaned as a young child in Sierra Leone, Michaela is a shy girl whose vitiligo causes a loss of pigmentation on parts of her body. This makes her an easy target for teasing, but another child at the orphanage, Mia, befriends her. Another bright spot occurs when she is transfixed by a magazine picture of a ballerina. When an American family adopts her and Mia, their new mother promises that they will study ballet. Michaela’s dreams come true, and she overcomes her shyness in order to perform as a ballerina. The narrative is broken up into chapters detailing her ongoing achievements, and difficult vocabulary is followed by parenthetical phonetic spellings to support decoding. Photographs document Michaela’s life, including images of her time in the orphanage and of her participation in a film entitled First Position, among other highlights. These are interspersed with illustrations that depict ballet positions and Michaela on stage and in class. At its heart is the core message that hard work and determination are the keys to making any dream come true.
A title sure to attract ballet aficionados, with added appeal for its depiction of an adoptive family and a ballerina who just happens to be black. (Early reader/memoir. 6-8)Pub Date: Oct. 14, 2014
ISBN: 978-0-385-75516-0
Page Count: 48
Publisher: Random House
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
Parks’ photography gave a powerful and memorable face to racism in America; this book gives him to young readers.
He aimed his camera lens at fashion models and at struggling African-American workers.
Parks, a talented and multifaceted man, was born in the Midwest in 1915 and attended a school where the white teacher told the black students that they would “all end up porters and waiters.” But Parks, at 25, was inspired by a magazine article and spent $7.50 on a used camera. He went on to work in Washington, D.C., for the Farm Security Administration, capturing pictures of African-Americans in their everyday lives—not the white men of the monuments. Famously, he portrayed a cleaning lady name Ella Watson in a portrait that became known as his American Gothic. Echoing the farmers in Grant Woods’ painting, Watson posed in front of an American flag with a broom in one hand and a mop in the other. Weatherford writes in the present tense with intensity, carefully choosing words that concisely evoke the man. Christoph’s digitally rendered illustrations brilliantly present Parks’ world through strong linear images and montages of his photographs. One double-page spread hauntingly portrays run-down buildings with the Capitol Dome hovering in the distance.
Parks’ photography gave a powerful and memorable face to racism in America; this book gives him to young readers. (afterword, author’s note, photographs) (Picture book/biography. 6-8)Pub Date: Feb. 1, 2015
ISBN: 978-0-8075-3017-7
Page Count: 32
Publisher: Whitman
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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