by Ann Whitford Paul & illustrated by Michael McCurdy ‧ RELEASE DATE: April 1, 1996
Artfully constructed images of the early 19th century reflect daily life through the names of patchwork quilt patterns. In her introduction, Paul (Eight Hands Round: A Patchwork Alphabet, 1991) imagines the life of a rural child in the century following the Declaration of Independence. Then, in sections named for the seasons, she recounts events and activities that may have inspired the names of quilt patterns. ``Bear's Paw'' describes an encounter with a grizzly, while ``Cake Stand'' mentions a harvest gathering where the platters, food baskets, and dessert stands decorate an outdoor table. Each page holds one of McCurdy's plainspoken scratchboard illustrations, a paragraph of text, and two quilt blocks: One is the pattern itself, the other is of four blocks together to give a sense of the finished quilt. McCurdy has a following, and quilting is again in vogue, but the elegant architecture of this conceit may have difficulty finding an audience; it's a nice book that somehow fails to sing. (bibliography) (Picture book/nonfiction. 5-9)
Pub Date: April 1, 1996
ISBN: 0-15-276918-8
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Melissa Thomson and illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2009
Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)
Pub Date: July 1, 2009
ISBN: 978-0-8037-3264-3
Page Count: 112
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
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