Good friends and familiar situations will make readers feel at home in this second volume of the series.
The Sprout Street neighborhood is shaken up by the arrival of a new resident.
Mili, short for Mililani, has just moved from Hawaii to Sprout Street. Mili is excited to move into the long-vacant apartment 2B and is eager to meet her new neighbors, but there are a few bumps to her transition. Violet is a little nervous because Mili might be more of an artist than she is. Emma wants to be Mili’s friend but realizes that Mili enjoys “me time.” Henry is worried when the neighborhood needs to decide whether to change the color of their building or not, and he finds himself on the other side of the color argument from Mili. And so it goes until all the neighbors realize that they can be themselves and be friendly with Mili at the same time. In the final chapter, Mili has some second thoughts about moving to the wintry climate. She indulges in a little self-pity but comes around when her friends have a New Year’s party, Hawaii-style. The six illustrated chapters are at just the right level for new readers looking for a little bit of a challenge. Alter is beginning to flesh out her animal characters in this second installation, so readers of the first book will enjoy finding out how they change and develop.
Good friends and familiar situations will make readers feel at home in this second volume of the series. (Fiction. 6-9)Pub Date: Jan. 5, 2016
ISBN: 978-0-385-75562-7
Page Count: 128
Publisher: Knopf
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
A funny and timely primer for budding activists.
Problems are afoot at Emily Dickinson Elementary School, and it’s up to Bea Garcia to gather the troops and fight.
Bea Garcia and her best friend, Judith Einstein, sit every day under the 250-year-old oak tree in their schoolyard and imagine a face in its trunk. They name it “Emily” after their favorite American poet. Bea loves to draw both real and imagined pictures of their favorite place—the squirrels in the tree, the branches that reach for the sky, the view from the canopy even though she’s never climbed that high. Until the day a problem boy does climb that high, pelting the kids with acorns and then getting stuck. Bert causes such a scene that the school board declares Emily a nuisance and decides to chop it down. Bea and Einstein rally their friends with environmental facts, poetry, and artwork to try to convince the adults in their lives to change their minds. Bea must enlist Bert if she wants her plan to succeed. Can she use her imagination and Bert’s love of monsters to get him in line? In Bea’s fourth outing, Zemke gently encourages her protagonist to grow from an artist into an activist. Her energy and passion spill from both her narration and her frequent cartoons, which humorously extend the text. Spanish-speaking Bea’s Latinx, Einstein and Bert present white, and their classmates are diverse.
A funny and timely primer for budding activists. (Graphic/fiction hybrid. 6-9)Pub Date: May 14, 2019
ISBN: 978-0-7352-2941-9
Page Count: 160
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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