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DUKE ELLINGTON'S NUTCRACKER SUITE

Still, real cool.

Drawing from letters, memoirs, photos, film and recordings, Celenza presents a spry account of the 1960 composition and recording of a decidedly swinging Nutcracker Suite.

Laced with invented dialogue and crisply delineating the close collaboration between Ellington and his brilliant, classically trained friend, Billy Strayhorn, the narrative traces the piece from radical idea to work in progress to exuberant recording session. Such a bold departure—classical ballet into jazz suite—required convincing: Both the recording exec and the band were initially dubious. Text and art sync around the premise that the musical traditions and global influences of the cities in which Duke and “Strays” worked—L.A., New York, New Orleans, Vegas—infused the evolving composition with distinct rhythms and cultural metaphors. The brilliant music cues Tate’s full-bleed mixed-media pictures. Bold ink strokes outline and define figures—Duke’s quizzical forehead and Strays’ distinctive cheekbones are expressive squiggles—and create movement across paint-spattered spreads studded with stars, snowflakes and musical notes. The palette marries rich violet-blues with hot, harmonious yellows, sepia and crimson. The delightful accompanying full-length CD is a must-listen, since text and art mesh with it in genuine symbiosis, song by song. Indeed, the absence of a track list—ideally, integrated within the relevant page spreads—is a missed opportunity for deepening context.

Still, real cool. (author’s note) (Picture book. 6-9)

Pub Date: Nov. 1, 2011

ISBN: 978-1-57091-700-4

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Sept. 20, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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ASTRID AND APOLLO AND THE STARRY CAMPOUT

From the Astrid and Apollo series , Vol. 1

This lighthearted adventure features much-needed Hmong representation and an equally satisfying plot.

Twin Hmong American siblings lean on each other during a camping trip in this series opener.

Mosquito bites, scary bears, and an outhouse are just some of the fears keeping Astrid hidden away in a closet while her family prepares for their upcoming campout. Her supportive twin brother, Apollo, reassures her that whatever happens, they will get through it together. This early chapter book highlights the strength of sibling bonds and shows Astrid overcoming adversity in an approachable way. Her timidity and anxiety gradually decrease as she discovers the reality of camping is a lot less scary than her imagination. While the short chapters and simple sentence structure support a newly independent reader, some page layouts are disjointed, with illustrations that do not match the corresponding text. Despite this minor flaw, the cute, cartoon images showcase a gentle-feeling outdoors and the warm family connection that defines this trip. Hmong cultural elements such as names and cuisine are organically incorporated into the storyline. It’s an accessible and authentic introduction to an ethnic group rarely featured in children’s literature or mainstream popular culture. Facts about the Hmong, popular Hmong foods, a glossary, and a discussion guide are included in the backmatter.

This lighthearted adventure features much-needed Hmong representation and an equally satisfying plot. (Fiction. 6-9)

Pub Date: Aug. 1, 2020

ISBN: 978-1-5158-6131-7

Page Count: 64

Publisher: Picture Window Books

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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