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ABSOLUTE VALUE

An affecting YA novel that will linger in readers’ minds.

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Henrik’s debut novel tells the story of two teenagers dealing with an unplanned pregnancy.

Nate Stanek is about to begin his junior year of high school, and he’s excited to be doing so with his first girlfriend, Gabrielle Brandt. They’ve been inseparable all summer, sneaking away to spend time together whenever possible: “He would never say this to Gabrielle—not cool—but he had it in his head that the two of them were sort of their own little family.” Just as summer ends, however, Gabrielle starts to act oddly. Nate figures out what’s wrong during a visit to the state fair; she vomits while on the Ferris wheel: She’s pregnant. Gabrielle, who’s still reeling from her parents’ divorce, is worried about what this will mean for her future. Will she go to college? Will she even finish high school? She’s certain that her reputation will be forever tainted. Nate is more worried about the reaction from his conservative Christian parents. The possibility of abortion never even enters his mind until Gabrielle brings it up: “I haven’t made my mind up yet, but I’ve been considering maybe…maybe not having this baby at all.” Nate initially reacts with anger, thinking that if a pregnancy would bring on the wrath of his parents, an abortion will get him disowned—but he ultimately agrees to stand by Gabrielle, whatever she decides. She faces her own troubles when she tells her family and friends about her situation; many react more judgmentally than she expected. Can the two high schoolers figure out a solution, and can their relationship survive whatever decision they make? The style of Henrik’s prose is breezy yet restrained even when she gets deep into the conflicting emotions of her two main characters. She depicts their inner voices in a manner that’s completely believable and yet also unexpectedly poignant: “He’d barely started figuring out who he was, and yet this tiny being inside Gabrielle already contained more of him than he even knew existed. And more of Gabrielle, too. How could she just throw that away?” The book is paced more slowly than most other modern YA novels, and it lacks any melodramatic tendencies. Instead, Henrik simply allows the teens’ situation to play out in an organic way. Nate is flawed but sympathetic, and Gabrielle is heroic without losing an ounce of verisimilitude. The latter’s interest in numerical facts—she writes a blog in which she discusses mathematical concepts, such as the Pythagorean theorem—becomes a motif of the book; it effectively illustrates how some decisions require one to use a cold calculus, as well as the limited solace that such calculations bring. The author seems to have no agenda other than to show how impossibly difficult such a situation can be for those involved. She delivers a book about hope, youth, innocence, the pain of first love, and how major trials in life seem to come far too early.

An affecting YA novel that will linger in readers’ minds.

Pub Date: Dec. 7, 2012

ISBN: 978-1-4801-7901-1

Page Count: 310

Publisher: CreateSpace

Review Posted Online: Feb. 28, 2019

Kirkus Reviews Issue: April 15, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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