Cute and lightly snarky, with jokes and jaunts galore.
Bunnies bent on conquering the world set their sights beyond their local park.
The Fluffle Bunnies have bested a crew of raccoons and made a neighborhood playground their paradise, but they don’t want to stop there. When a carnival sets up across the street, the bunnies bounce over and buddy up with a rat pack who are busy munching fair food. Claiming to run the entire town, the entitled rodents offer a rejoinder to the bunnies’ softer way of life that intrigues them. The rats teach them about traveling by sewer, making city dwellers squirm, and scouring dumpsters for snacks. Unfortunately, the bunnies can’t keep up; they may not be able to hack urban life. When all seems lost, the cotton-tailed creatures dramatically deploy their true secret weapon—cuteness—and find a path to triumph. The action in this volume spreads out beyond the park’s narrow confines; this installment feels more loosely conceived than the first, but when the bunnies bring their gifts to bear in the final act, their far-flung antics reach a satisfying, dramatic conclusion. For fans of silly shenanigans and clever central characters, this bid for world domination will prove a familiar and enjoyable read. The human characters are diverse.
Cute and lightly snarky, with jokes and jaunts galore. (Graphic fiction. 6-9)Pub Date: April 15, 2025
ISBN: 9781774881286
Page Count: 164
Publisher: Tundra Books
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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