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Me: A Rewrite

FROM VANITY INSANITY TO SELF-ACCEPTANCE (SORT OF)

A zany and refreshing, if slightly overwhelming, take on soul-searching, writing, and midlife crises.

In this debut memoir, a woman turns her quest for something new into a comedic adventure.

“My journey,” Jorgensen writes in her foreword, “follows a route of randomness (though, if asked, I’ll totally deny that and say I planned it all out—with bullet point lists and highlighter pens).” The half-Mexican, half-Danish author describes herself as “hot-tempered, loud, and direct,” and these attributes come across clearly as she relates her childhood, working life, and a divorce that set her on a path of rediscovery in her late 30s. She details the journey of her “Little Mother” from Mexico to Canada, and her own youth spent in small towns throughout Canada’s Comox Valley: “If it had the word ‘river’ in its name or running though it, there’s a good chance I was there,” she writes. As an adult “Realty Lady,” she found herself trapped by her false salesperson persona, 80-hour-plus work weeks, and her marriage to a good man who just wasn’t right for her. She escaped that life by taking an intensive writing course at TheFilmSchool in Seattle and then trying her hand at dating, which resulted in a “HBUAB” (“handsome but unworthy American Boyfriend”) and, later, a continuing series of romantic and professional misadventures throughout the Pacific Northwest. Jorgensen’s prose style has the casual, carefree energy of many contemporary tell-all bloggers, and she often interjects self-deprecating parentheticals, bullet lists, and satirical strike-throughs into her story. Like many comedians, she turns the most upsetting moments of her life—including deaths, divorce, infidelity, and sexual abuse—into dark jokes. She exhaustively offers her opinions on such topics as popular culture, toothpaste, self-perception, and, of course, relationships, with witty wordplay and outlandish observations. The memoir’s manic pace and playful grammatical structures don’t feel particularly innovative or original, however, and it’s easy to get lost in its dense tangents. The author also lacks the precision and structure of the dark-comedy masters, such as David Sedaris. However, she’s consistently bold, shocking, and hilarious. Readers looking for a laugh won’t be disappointed, and those tired of heavier, more traditional memoirs about modern women’s struggles will be pleasantly surprised.

A zany and refreshing, if slightly overwhelming, take on soul-searching, writing, and midlife crises.

Pub Date: Aug. 1, 2014

ISBN: N/A

Page Count: -

Publisher: CreateSpace

Review Posted Online: March 24, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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