A genre- (and gender-) bending take on the classic Western.

OUTLAWED

A young woman in an alternate version of the 1890s American West joins a gang of outlaws.

Ada is just a teenager living in the Independent Town of Fairchild when she’s married off and expected to start a family with her new husband. The daughter of the town’s midwife, Ada knows just about all there is to know about childbirth and childbearing—except the reasons behind the failure to conceive, the worst fate that can befall a woman in her society. (The standard punishment for a “barren” woman is to be hanged as a witch.) When she herself cannot get pregnant, Ada must leave her mother and young sisters behind, first fleeing to a convent. Then, when she becomes dissatisfied by the limitations to her learning that convent life dictates, she is directed by the Mother Superior to the Hole in the Wall Gang. Well known as robbers in “the territories,” the gang is led by the mysterious Kid, a figure said to be as “tall as a pine tree and as strong as a grizzly bear.” But when Ada is secreted to their hideout, she finds none of the outlaws, least of all the Kid, are what they seem. North has smashed two unlikely genres together here: the dystopian alternate history and the Western. Calling it The Handmaid’s Tale crossed with Butch Cassidy and the Sundance Kid goes some way to describe the novel’s memorable world, but it is also wholly its own. It earns its place in the growing canon of fiction that subverts the Western genre by giving voice to the true complexity of gender and sexual expression, as well as race relations, that has previously been pushed to the margins of traditional cowboy or westward expansion tales.

A genre- (and gender-) bending take on the classic Western.

Pub Date: Jan. 5, 2021

ISBN: 978-1-63557-542-2

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

Did you like this book?

No Comments Yet

A haunting fable of a lonely, moribund world that is entirely too plausible.

KLARA AND THE SUN

Nobelist Ishiguro returns to familiar dystopian ground with this provocative look at a disturbing near future.

Klara is an AF, or “Artificial Friend,” of a slightly older model than the current production run; she can’t do the perfect acrobatics of the newer B3 line, and she is in constant need of recharging owing to “solar absorption problems,” so much so that “after four continuous days of Pollution,” she recounts, “I could feel myself weakening.” She’s uncommonly intelligent, and even as she goes unsold in the store where she’s on display, she takes in the details of every human visitor. When a teenager named Josie picks her out, to the dismay of her mother, whose stern gaze “never softened or wavered,” Klara has the opportunity to learn a new grammar of portentous meaning: Josie is gravely ill, the Mother deeply depressed by the earlier death of her other daughter. Klara has never been outside, and when the Mother takes her to see a waterfall, Josie being too ill to go along, she asks the Mother about that death, only to be told, “It’s not your business to be curious.” It becomes clear that Klara is not just an AF; she’s being groomed to be a surrogate daughter in the event that Josie, too, dies. Much of Ishiguro’s tale is veiled: We’re never quite sure why Josie is so ill, the consequence, it seems, of genetic editing, or why the world has become such a grim place. It’s clear, though, that it’s a future where the rich, as ever, enjoy every privilege and where children are marshaled into forced social interactions where the entertainment is to abuse androids. Working territory familiar to readers of Brian Aldiss—and Carlo Collodi, for that matter—Ishiguro delivers a story, very much of a piece with his Never Let Me Go, that is told in hushed tones, one in which Klara’s heart, if she had one, is destined to be broken and artificial humans are revealed to be far better than the real thing.

A haunting fable of a lonely, moribund world that is entirely too plausible.

Pub Date: March 2, 2021

ISBN: N/A

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 27, 2020

Kirkus Reviews Issue: Dec. 15, 2020

Did you like this book?

A fierce 13-year-old girl propels this dark, moving thriller.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

WE BEGIN AT THE END

A police chief who never grew up and a girl who never had a childhood try to solve the murder of someone they love.

A tiny, picturesque town on the California coast is an emotional prison for the characters of this impressive, often lyrical thriller. Its two main characters are a cop with an improbable naïveté and a child too old for her years. Walk (short for Walker, his last name) is chief of the two-person police department in Cape Haven and a native son. He’s kind and conscientious and haunted by a crime that occurred when he was a teenager, the death of a girl named Sissy Radley, whose body Walk discovered. Duchess Radley is that child’s niece, the daughter of Star Radley, the town’s doomed beauty. Most men lust after Star, including several of her neighbors and perhaps a sinister real estate developer named Dickie Darke. But Star is a substance abuser in a downward spiral, and her fatherless kids, Duchess and her younger brother, Robin, get, at best, Star’s benign neglect. Walk, who’s known Star since they were kids, is the family’s protector. As the book begins, all of them are coming to terms with the return to town of Vincent King. He’s Walk’s former best friend, Star’s former boyfriend, and he’s served a 30-year prison term for the death of Sissy (and that of a man he killed in prison). Someone will end up dead, and the murder mystery structures the book. But its core is Duchess, a rage-filled girl who is her brother’s tender, devoted caretaker, a beauty like her mother, and a fist-swinging fighter who introduces herself as “the outlaw Duchess Day Radley.” Whitaker crafts an absorbing plot around crimes in the present and secrets long buried, springing surprises to the very end.

A fierce 13-year-old girl propels this dark, moving thriller.

Pub Date: March 2, 2021

ISBN: 978-1-250-75966-5

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Dec. 25, 2020

Kirkus Reviews Issue: Jan. 15, 2021

Did you like this book?

more