Next book

THE DEAD GIRLS' CLASS TRIP

SELECTED STORIES

Unrelenting and sometimes heavy-handed, at their best Seghers’ stories are also moving and deeply intelligent.

A collection of stories spanning Seghers’ accomplished career.

Seghers, a German Jewish writer, left the country in time to avoid the worst of Hitler’s excesses, but in her many novels and short stories, she dedicated herself to a stringent and ongoing analysis of fascism: its victims, its resisters, and, occasionally, its admirers. Most of the stories included in this collection are concerned with the war. In “A Man Becomes a Nazi,” Seghers traces the life of a man who did indeed become a Nazi; she may have meant the story as an attempt to at least understand, if not sympathize with, at least one individual from a mass of many, but the result is somewhat flat-footed. When her character starts attending political meetings, he “learned that the cause of all his problems was the Versailles Treaty created by the Jews and the Free Masons in order to enslave him.” Seghers probably meant to humanize him, but her character turns out, instead, a caricature. She was by no means a subtle writer. Seghers was concerned with major questions, and she pursued those questions in her fiction relentlessly. What does fascism do to a person’s soul? she asks again and again. In the title story, one of Seghers’ best known, a woman imagines herself with her old schoolmates on a class trip to the Rhine. As “Netty” (Seghers’ own nickname) scans the scene, she intersperses her descriptions of the children in the years before World War I with the lives they grew up to endure. “Marianne and Leni, of whom one would later suffer the loss of her child because of the other,” she writes, “were walking out of the little seesaw garden, their arms thrown about each other’s necks.” It’s a poignant and affecting story, even if Seghers underscores her point several times over. The collection also includes stories from early in Seghers’ career as well as tales based on myths rather than war (“Tales of Artemis,” for one), but the main thrust of Seghers’ obsession remains clear, and some stories are more successful than others.

Unrelenting and sometimes heavy-handed, at their best Seghers’ stories are also moving and deeply intelligent.

Pub Date: May 25, 2021

ISBN: 978-1-68137-535-9

Page Count: 320

Publisher: New York Review Books

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

Categories:
Next book

SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

Next book

DEATH COMES TOO LATE

Readers who limit themselves to one story a night are in for a lot of sleepless nights.

Ardai celebrates the 20th anniversary of his publishing imprint, Hard Case Crime, by reprinting 20 of his own noir tales from 1990 to 2023.

Any collection this big is bound to be a mixed bag, but even the lesser stories here illuminate the formulas they depart from. “The Investigation of Things,” in which two Chinese brothers compete to solve the murder of a Buddhist monk, shows that Ardai’s gifts aren’t best suited to whodunits. The cancellation of a boy’s promised trip to see the circus in “The Day After Tomorrow” pushes Ardai’s ability to plot a short-short story to the limit. And “Nobody Wins,” which chronicles the gratuitously calamitous effects of a private eye’s search for his missing fiancee, has a title that would have been perfect for this whole volume. Ardai’s best stories walk a tightrope between noir fatalism and surprising invention. Some of them boast unsettlingly original premises. A fed pursues a doomed relationship with the grieving mother of a boy he arrested and got killed in “The Home Front”; “Game Over” follows a roll of quarters intended as a birthday gift; “My Husband’s Wife” showcases the coolly amoral voice of a conference attendee’s wife as she commits an escalating series of infractions. Other stories present endings bound to startle the most hard-bitten fans. “The Case” follows the adventures of a suitcase bomb that hasn’t (yet) exploded; a bodyguard’s search for a lubricious charge who’s disappeared from under his nose leads to a bloodbath in “Jonas and the Frail”; the man who hires a trio of contract killers in “Masks” turns out to have a shocking motive; and the ending of “A Free Man,” neatly balancing disillusionment and sentiment, provides a fitting close to the volume.

Readers who limit themselves to one story a night are in for a lot of sleepless nights.

Pub Date: March 12, 2024

ISBN: 9781803366265

Page Count: 400

Publisher: Hard Case Crime

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Close Quickview