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ALL WE KNOW OF HEAVEN

Strong first novel of doomed love, given an extra boost by the many Emily Dickinson poems quoted throughout. Dolores Meredith, an unmarried 40-year-old realtor in Woodland, a small California town, breaks off a seven-year affair with a married man whom she's never loved. Dolores has learned to avoid pain by withdrawing from situations where it might arise. Her work, in the meantime, offers solace, and she prides herself on her ability to match a house with the right buyer. The Leland House, old, handsome, and in disrepair, is one of her favorites, and she dissuades sure buyers rather than have it fall into the wrong hands. Meanwhile, Austin Barclay, at 41 a very successful (unmarried) lawyer, quits his firm in Manhattan and heads back to Woodland, having decided to teach law rather than practice it. He grew up in Woodland as the son of a chemist, has a gift for carpentry, and the Leland House will, he thinks, give him a perfect summer of restorations before he starts fall classes. He and Dolores quickly find themselves likely partners, but when he eventually asks her to move in with him, she's afraid to commit. What Dickinsonian pains may arise to devour their love? Then, indeed, an unbearable pain does arise. Austin discovers he's HIV- positive, having been infected by a girl he spent a weekend with at a snow lodge 15 months ago. Has he given the virus to Dolores? As it happens, he hasn't, although the pain-fearing Dolores splits anyhow. The balance of the story describes her failure to erase the wonderful Austin from her heart and her discovery that this particular pain is an education in love she must not avoid. Though much better written than The Bridges of Madison County, this strikes a similar outflow of tristesse over doomed love, while rich characterizations and profuse knowledge of gardening and old houses add a solid superstructure. Even so, the whole ends where Ibsen would begin. (First serial to Good Housekeeping)

Pub Date: Feb. 1, 1997

ISBN: 0-312-14613-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1996

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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TELL ME

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so,...

A tenacious reporter won’t let personal ties to a decades-old case stop her from finding the truth.

On the advice of her agent, Savannah Sentinel reporter and author Nikki Gillette is looking for fodder for her latest true-crime novel when she realizes that the perfect subject is about to be released from prison. Savannah’s notorious Blondell O’Henry has been locked up for some 20 years for the murder of her oldest daughter and Nikki’s childhood friend, Amity. Now that Blondell’s son Niall has recanted the testimony that put her away all those years ago, it looks as if she’ll be a free woman unless Nikki’s fiance, Detective Pierce Reed, can find a reason to keep her detained. Pierce and Nikki both work to discover what happened years ago at that cabin in the woods, though Pierce bridles at Nikki’s rather unconventional—all right, illegal—research methods. It seems to Nikki that the more she investigates, the more connections she discovers to her own family, beginning with the fact that her Uncle Alex was the original defense attorney on the case. But all of these uncomfortable connections make Nikki still more determined to learn the truth, even if she doesn’t like what that may mean.

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so, Jackson (You Don’t Want to Know, 2012, etc.) shows a mastery of the true-crime thriller formula that will please fans.

Pub Date: June 25, 2013

ISBN: 978-0-7582-5858-8

Page Count: 336

Publisher: Kensington

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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