Though the invisible young narrator seems to enjoy fantasizing that his father is a dog, adult readers may find the premise somewhat nightmarish. What father wants his kid commanding him to sit and stay? And who, especially, wants to envision his child cleaning up his “daddy-doos” (shown here as an inelegant orange swirl)? Occasionally clunky sing-song rhymes detail further how this imagined role-reversal might play out: “I might let him borrow my polka-dot dish / and I’d give him a mint / when his breath smells of fish.” (Later, Dad lifts his leg and pees on a sunflower.) “Dad” is actually a chocolate lab, photographed William Wegman–style, but accessorized with various (hand-drawn) canine fashions and pasted into simple backdrops in bold primary colors with thick black outlines reminiscent of Todd Parr’s work. While the child’s attitude toward his new dog-father is generally affectionate, the gleeful emphasis on commands (revenge!) and excrement (just kind of gross) diminish the story’s appeal. But kids may love it. (Picture book. 3-5)
Pub Date: May 1, 2007
ISBN: 978-0-439-91387-4
Page Count: 32
Publisher: Chicken House/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
Lola’s daddy takes her to the library every Saturday, where she finds “excellent books,” and every night her mommy or daddy reads them to her. The next day Lola acts out the story. On Sunday she’s a fairy princess; on Monday she takes her toy animals “on fantastic trips to places like Paris”; on Wednesday she’s a tiger, etc. Each new book and day provides Lola with a variety of tales to play out, with the last one—which is about a wild monster—posing the question, “What will Lola be tomorrow?” The final page shows her in a wolf suit just like Max’s. The library books, the pretending and the incorporation of the days of the week work together as a simple and pleasing premise. Beardshaw’s acrylic illustrations depict the multicultural kids and Lola’s black family with childlike charm, while the title will have librarians, parents and booksellers smiling. Alert: The book will be an invitation for lap kids to follow Lola’s lead—not such a bad thing. (Picture book. 3-5)
Pub Date: July 1, 2010
ISBN: 978-1-58089-258-2
Page Count: 28
Publisher: Charlesbridge
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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