Dysfunction and deferred dreams drive this intriguing, occasionally perplexing coming-of-age novel.

The Double Happiness Company

A sprawling saga of a young woman’s single-minded ambition to become a dancer set during the 1960s and ’70s.

Katie Rivers has the talent and drive necessary to be a prima ballerina, but she lives in the small town of Fortuna, New Mexico, where dance companies are scarce. At 15, Katie wins a scholarship to a prestigious ballet academy, but when an accident derails her big debut, her life starts to unravel. Her mother, incapable of giving her the consolation she needs, instead becomes an accessory to Katie’s self-destructive spiral. Katie believes leaving home, despite her parents’ objections, is her only recourse for healing. But she finds her goals just as tough to achieve in New York City as in Fortuna. While Katie’s away, her brother makes a decision about his military service that puts an even deeper crack in the family foundation. After years of self-imposed exile, Katie comes home to reunite her fractured family by any means necessary. Author Aylor (No Angel Hotel, 1987) provides a fascinating glimpse into the world of ballet and the lives of those who aspire to live in it. Her prose captures the beauty of the New Mexico desert or the disappointment Katie feels practicing with other students in a New York ballet studio (“Condensation fogged the mirrors and cried down the glass”). Although Katie’s father and brother express their own points of view, the central conflict is between Katie and her emotionally crippled mother. Katie’s personal growth comes at the expense of great suffering. As a minor point, her brother’s angst over the Vietnam draft lottery doesn’t quite reflect that the draft was winding down at that time.

Dysfunction and deferred dreams drive this intriguing, occasionally perplexing coming-of-age novel.

Pub Date: Jan. 27, 2011

ISBN: 978-0-9566725-0-6

Page Count: 286

Publisher: BareBone Books

Review Posted Online: Dec. 5, 2016

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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