A collection of scrupulous, timely journalistic portraits.
Narrative snapshots over several decades of a Russia riven by contradictions, aspirations, and entrenched defenses.
Former NPR foreign correspondent Garrels (Naked in Baghdad: The Iraq War as Seen by NPR's Correspondent Anne Garrels, 2003) offers finely delineated, meticulously researched dispatches from a region in Russia that seemed to her both typical of a certain Russian provincialism and arbitrarily chosen: Chelyabinsk, on the southern edge of the Ural Mountains. Since 1993, then Moscow-based correspondent Garrels used Chelyabinsk, once the hub of the Soviet military-industrial complex, as a kind of barometer to gauge how the entire country was faring, from the initial economic chaos after the collapse of the Soviet Union to the yearning for strong-armed stability under President Vladimir Putin. In turn, the author examines aspects of this vastly changed society, once utterly insulated from the world but now awash in foreign goods, languages, and TV shows, a country of proud people both leaning toward a Western model and yet fiercely defensive about “where they fit into the world.” Garrels finds the Russians sick and tired of being blamed by the world community—e.g., for the takeover of Crimea, for suppressing free speech, etc.—and, “in the absence of a national idea,” she asserts, they have “fallen into blaming outsiders instead of dealing with the issues at hand.” Those issues involve big-time corruption in most aspects of Russian life, from government to education to the military; the continued blight of alcoholism and the early mortality rate for men; the low birth rate and strain on women in jobs and family; the denial of the existence of special needs children and resistance to adoption by foreigners; the scandalously shabby services and salaries in hospitals; the refusal to address the high HIV rate; and the Orthodox Church’s “cozy relationship” with the Kremlin. In essence, Garrels shows how the gloomy sense of “Russian fatalism” poisons all aspects of society.
A collection of scrupulous, timely journalistic portraits.Pub Date: March 15, 2016
ISBN: 978-0-374-24772-0
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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