Wide-ranging and surprisingly thoughtful.

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SCANDALS OF CLASSIC HOLLYWOOD

SEX, DEVIANCE, AND DRAMA FROM THE GOLDEN AGE OF AMERICAN CINEMA

The early days of Hollywood stars, gossip and damage control.

Blogger and first-time author Petersen (Film and Media Studies/Whitman Coll.) revisits several of Hollywood's well-known celebrity scandals and tells how the movie studios manufactured both stars' images and the public's desires. She opens with the obvious truism that a star's "actions, behavior, or lifestyle choices are never de facto scandalous; rather, they become scandalous when they violate the status quo in some way”—which is true for everyone. The author follows with an examination of the old-school "studio system," which created actors' names and biographies, as well as a host of "management strategies" (i.e., coverups) for actors' off-screen improprieties that entertainment publicists still use today to protect their investments—though the public at midcentury was far more gullible and easily manipulated. After this slow start, Petersen keenly analyzes the roles celebrities played—and still play—in our lives. She examines how the public allows “stars to take on our personal anxieties and shun[s] them when they fail to embody them in ways that please us." Chapters serve as case studies exploring and supporting the book's dual themes: that stars' images are "pliable…to our whims, hopes and fears" (particularly about class, female desire and gender roles) and how actresses were often presented and celebrated for appealing to men's sexual desires, then castigated for their brazen, unconventional behavior. In sections recounting the careers of stars who flamed out disastrously, including Dorothy Dandridge and Montgomery Clift, she incisively remarks on, especially, how Judy Garland's life—her studio controlled not only her public persona, but her romantic relationships and even her physical size during her teen years—"suggested hope and despair in equal measures," served up for the public's consumption. Not merely a rehash of salacious old Hollywood gossip, Petersen revivifies flattened images of Hollywood icons, including Fatty Arbuckle, Mae West, Humphrey Bogart and Marlon Brando, among others.

Wide-ranging and surprisingly thoughtful.

Pub Date: Sept. 30, 2014

ISBN: 978-0-14-218067-9

Page Count: 304

Publisher: Plume

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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A clear and candid contribution to an essential conversation.

SO YOU WANT TO TALK ABOUT RACE

Straight talk to blacks and whites about the realities of racism.

In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”

A clear and candid contribution to an essential conversation.

Pub Date: Jan. 16, 2018

ISBN: 978-1-58005-677-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Oct. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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