Lamott newbies will find this a kind view of loving oneself and others despite our collective imperfections.
The bestselling author follows the template of the most recent half-dozen of her loosely connected essay collections, this time focused on love.
“What are we even talking about when we talk about love? What is it?” So asks Lamott on the first page of her latest book, and she goes on to answer the question in a similar manner to her many previous books: Love is Jesus, but also each other, and also, sometimes, chocolate. In these varying anecdotes, the author plumbs familiar ground, including family and her church community, the adorable malaprop-prone kids in her Sunday school class, and her unhoused neighbors near her Bay Area home. Newer topics include her still-recent marriage (her first, in her mid-60s) to the “lovely, steady” Neal and the upheaval caused by her son Sam’s drug addiction and her grandson’s arrival. With age, Lamott’s essays have become less acerbic and more attuned to the natural world; the scent of eucalyptus comes up often, as do the flowers and foliage, the fog and the forests of Northern California. In this book, she focuses less on vengeful thinking for comic effect and more on the joys of smelling the roses. In one essay, she recounts how she taught a reluctant young Cuban woman to swim; in another, she describes how she held a sharpened pencil to her son’s neck and told him not to come home until he was clean. (A month later, he did.) As always, a strong vein of spirituality runs throughout, with Lamott’s characteristic descriptions of an all-loving God who is often flummoxed and saddened by humanity, but hopeful anyway. This all comes across as much less twee than it might be, and the stories make up in warmth what they lack in novelty.
Lamott newbies will find this a kind view of loving oneself and others despite our collective imperfections.Pub Date: April 9, 2024
ISBN: 9780593714416
Page Count: 208
Publisher: Riverhead
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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