A highly useful manual that will be valuable to career coaches and motivated readers who are willing to do the work.

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KNOW YOURSELF, GROW YOUR CAREER

THE PERSONAL VALUE PROPOSITION WORKBOOK

An interactive career development guide.

At first glance, this workbook by Segal (Master the Interview, 2016) seems to be best suited to those who are just beginning their careers, but even someone in midcareer would benefit from answering the worthwhile questions in this book. Its four parts logically lead readers through the process of establishing priorities, identifying strengths (and differentiating between “skills” and “talents”), understanding the needs of the marketplace, developing a strategy for finding the right position, and “communicating your value.” In the first part, Segal describes the powerful concept of the “personal value proposition”—basically, a packaging of one’s priorities and strengths for use in a job search—and then uses it as the core concept of the rest of the book. Structurally, each of the 10 chapters is a “unit” on a specific topic, such as “Self-Reflection” or “Your Personal Brand.” The text does a fine job of explaining each subject, but its real strength is its focus on personalized interactivity. Almost every unit contains provocative self-assessment questions and worksheets while also offering appropriate guidance. For example, Unit 8, “Creating Your Own Market,” discusses entrepreneurship, changing fields, and “recovering from career inertia.” The open-ended directional statements include such thought-starters as “How I can keep my ‘ear to the ground’ regarding professional and personal interests that might lead to a new market” and “What I can do that could be a bridge to my dream job and/or create alternatives for me.” Segal’s positive coaching will encourage readers to forge onward even when they find some of the sections to be challenging to complete.

A highly useful manual that will be valuable to career coaches and motivated readers who are willing to do the work.

Pub Date: Sept. 10, 2017

ISBN: 978-0-692-94087-7

Page Count: 158

Publisher: CreateSpace

Review Posted Online: Jan. 25, 2018

Kirkus Reviews Issue: March 1, 2018

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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