by Annette Gordon-Reed ‧ RELEASE DATE: May 4, 2021
A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.
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The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.
Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.
A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.Pub Date: May 4, 2021
ISBN: 978-1-63149-883-1
Page Count: 128
Publisher: Liveright/Norton
Review Posted Online: Feb. 23, 2021
Kirkus Reviews Issue: March 15, 2021
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SEEN & HEARD
by Emily Dickinson ; edited by Cristanne Miller & Domhnall Mitchell ‧ RELEASE DATE: April 2, 2024
An exciting new standard in Dickinson scholarship.
A newly expanded, annotated edition of the poet’s letters, the first in more than 60 years.
Emily Dickinson (1830-1886) is one of the most recognizable poets in history. Yet, as the editors note in the introduction, she “was a letter writer before she was a poet.” She was a prolific and passionate correspondent, and this new edition contains 1,304 of her letters, “as well as all of the extant letters that [she] received.” This extraordinary collection shows her to be a masterful prose writer, and, contrary to her popular image as a recluse, the letters reveal that “Dickinson was by no means an isolated, lonely, woman.” The editors include hundreds of new letters, redate many of the previously published ones based on careful research, and provide essential annotations. Additionally, where possible, they restore omissions by previous letter transcribers. In some cases, the restorations are critical to our ability to reevaluate who Dickinson was in relation to those in her correspondence. While her prose writing is noteworthy in itself, the editors also include many “letter-poems.” Dickinson frequently sent poems in her correspondence, often without an accompanying note. Included in this edition alongside her regular letters, they provide beautiful texture to the collection. Perhaps the most delightful materials, though, are the writing notes. Like many writers, Dickinson collected scraps of language and fragments of poems, which she may have used to draft both her letters and poems. Seeing them together shows how “a retained metaphor or sequence of language might serve as the germ of a letter, or it might linger in her workshop until a letter seemed just right to house it, just as a poem might begin with a resonant phrase.” The notes, in particular, provide illuminating insight into the mind and process of a truly brilliant writer.
An exciting new standard in Dickinson scholarship.Pub Date: April 2, 2024
ISBN: 9780674982970
Page Count: 960
Publisher: Belknap/Harvard Univ.
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Emily Dickinson ; illustrated by Tatyana Feeney
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by Emily Dickinson ; edited by Susan Snively ; illustrated by Christine Davenier
by Dax-Devlon Ross ‧ RELEASE DATE: June 15, 2021
A fiery, eloquent call to action for White men who want to be on the right side of history.
A Black man speaks hard truths to White men about their failure to dismantle systemic racism.
A “child of the Black bourgeoisie,” journalist Ross first learned “the shadow history of Black revolutionary struggle” in college. He accepted that he “directly benefited from the struggle that generations of Black folks had died in the name of, yet I wasn’t doing anything to help those who hadn’t benefited.” The author calls the White men of his generation, Gen X, to also recognize their complicity and miseducation. “We were fed cherry-picked narratives that confirmed the worthlessness of Black life,” he writes, “The euphemistic ‘culture of poverty,’ not systemic oppression, was to blame for the conditions in which so many Black people lived.” The story that White people have been told about Black people is “missing a major chapter,” and Ross thoroughly elucidates that chapter with a sweeping deep dive into decades of American social history and politics that is at once personal, compelling, and damning. Through a series of well-crafted personal letters, the author advises White men to check their motivations and “interrogate the allegedly self-evident, ‘commonsense’ values and beliefs” that perpetuate inequality and allow them to remain blissfully unaware of the insidiousness of racism and the ways they benefit from it. Ross condemns the “pathological unwillingness to connect the past with the present” and boldly avoids the comfortable “both sides” rhetoric that makes anti-racism work more palatable to White people. “It is on you,” he writes, “to challenge the color-blind narratives your parents peddle.” The letters are consistently compelling, covering wide ground that includes the broken criminal justice system, gentrification, and the problem with framing equity work as “charity.” Finally, Ross offers practical guidance and solutions for White men to employ at work, in their communities, and within themselves. Pair this one with Emmanuel Acho’s Uncomfortable Conversations With a Black Man.
A fiery, eloquent call to action for White men who want to be on the right side of history.Pub Date: June 15, 2021
ISBN: 978-1-250-27683-4
Page Count: 240
Publisher: St. Martin's
Review Posted Online: April 2, 2021
Kirkus Reviews Issue: May 1, 2021
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