by Annette Green ‧ RELEASE DATE: Aug. 18, 2018
A sweet and entertaining account of the scent industry’s metamorphosis.
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A behind-the-scenes memoir offers a bouquet of memories about the fragrance industry.
Maybe it was fate when, in the early 1920s, the author’s pregnant mother went into labor in the perfume department of Wanamaker’s department store. Then in the ’50s, Green (co-author: Secrets of Aromatic Jewelry, 2001) worked as a young reporter for the Hearst Corporation’s American Druggist. She was assigned a column exploring how drug stores could profit from the expanding teenage beauty market. The column’s success spurred her interest in the beauty and fragrance industry, and she ultimately opened her own marketing agency, producing creative campaigns for clients like Breck Shampoo. In the early ’60s, Green became executive director of the struggling Fragrance Foundation, and in 10 years’ time, she developed it into a highly successful nonprofit organization. Though the perfume industry was male-dominated, the author helped shape it for more than 40 years. She also established an educational program at the Fashion Institute of Technology in the early ’80s. This chatty career story—complete with many photographs of Green rubbing elbows with glamorous notables like Elizabeth Taylor—takes a historic look at fragrance trends, such as Revlon’s Charlie perfume for pantsuit-wearing career women in the ’70s. It’s easy to lose track of time while reading the author’s smooth, footnoted prose, which is chock-full of compelling anecdotes. For example, she writes that Jovan’s Musk Cologne for women was inspired by hippies who created powerful fragrances to hide the scent of pot. Encouraging women to wear a “wardrobe of fragrance” and not just one signature scent, Green writes that one of her biggest challenges was that most American women only used perfume on special occasions. In this who’s who of the perfume world, the author doesn’t describe a step-by-step business model. But her upbeat account gives budding entrepreneurs glimpses of colorful insider projects, like how she started an annual honors event, which later became known as the FiFi Awards. Combining creativity with a strong work ethic, Green delivers ideas—such as approaching a museum with a proposal for a fragrance exhibition—that are inspirational.
A sweet and entertaining account of the scent industry’s metamorphosis.Pub Date: Aug. 18, 2018
ISBN: 978-1-4575-6336-2
Page Count: 232
Publisher: Dog Ear Publishing
Review Posted Online: Aug. 29, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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