by Annie Jacobsen ‧ RELEASE DATE: May 14, 2019
Assassination may be frowned on but it’s used more often than you might think. Well-sourced and well-paced, this book is...
A behind-the-scenes look at the most shadowy corners of the American intelligence community.
It’s no secret that intelligence agents operate covertly around the world. As Jacobsen (The Pentagon's Brain: An Uncensored History of DARPA, America's Top-Secret Military Research Agency, 2015, etc.) notes, this so-called “third option” is used “when the first option, diplomacy, is inadequate and the second, war, is a terrible idea.” The underlying idea is that getting up close and killing a single opponent or small batch of them is preferable to bombing an entire city or region to achieve the same goal. So it was that, as Jacobsen writes, a weathered and fearless contractor named Billy Waugh entered Khartoum to track a well-protected Osama bin Laden, who was enraged after having been rebuffed by the Saudi royals to lead a war against Saddam Hussein. When the Saudis decided to allow infidels in the form of a vast American army to do the job, bin Laden “began plotting jihad against the United States.” Waugh saw what he needed to see and developed a plan to eliminate his target that might have kept 9/11 from happening—but it never happened, nixed somewhere between his handlers and the president’s desk. Waugh and other operatives hatched other plots, and they were just right for the job. As Jacobsen writes, one CIA officer “was an expert in parachute insertion, scuba exfiltration, evasive driving, knife fighting, and a host of other close-quarters combat skills,” and his credentials seem light compared to some of the other agents she profiles. Some of the operations failed, but some were successful, as when Waugh scouted a Hezbollah higher-up in Riyadh and passed the ball to Mossad, which planted a car bomb that caught up with its target in Damascus, incinerating him in one of the book’s critical moments.
Assassination may be frowned on but it’s used more often than you might think. Well-sourced and well-paced, this book is full of surprises.Pub Date: May 14, 2019
ISBN: 978-0-316-44143-8
Page Count: 560
Publisher: Little, Brown
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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