A sensitive examination of human connections that can both damage and heal.
Eudora Honeysett is 85 and wants the privilege of dying on her own terms. And soon, please.
Growing up in England during World War II, 10-year-old Eudora watches her father go off to fight. When a knock on the door brings the devastating news that he will not be returning, Eudora finds herself living up to her promise to take care of her mother and sister. After a life of sacrifice and heartbreak interspersed with joyful moments, she now watches the world outside her window with a jaded eye. Eudora does some research and finds an agency in Switzerland that just might be the answer to her wish to die. She soon finds herself on the phone with the agency explaining why she is ready to pull the plug. In the midst of her death plans, a rambunctious knock at the door brings an annoyance in the form of 10-year-old Rose, a new neighbor who’s irrepressibly joyful and not to be ignored. Rose introduces Eudora to Stanley, an elderly neighbor, and they soon become an unlikely trio, enjoying life at Rose’s whim. When Eudora tells her pals she’s off to Switzerland for a “vacation,” Rose sends her off with a promise to bring back a Toblerone, and Stanley drives her to the airport. Then there is a phone call that challenges Eudora’s plans and forces her to decide what really matters. Lyons’ characters are unique and wonderful, portrayed with a depth that allows readers to understand their motivations and empathize with them. Her childhood promise directed most of Eudora’s choices in life except for one that haunts her. Quirky, insightful Rose is bullied and thus gravitates to her kindly older friends. Stanley recently lost his wife and struggles to regain his footing. And yet the trio's unlikely camaraderie has the power to rejuvenate them all, showing that good friendship makes life worth living.
A sensitive examination of human connections that can both damage and heal.Pub Date: Sept. 8, 2020
ISBN: 978-0-06-302606-3
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
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