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THE CHRISTMAS TREE WHO LOVED TRAINS

Reminiscent of Hans Christian Andersen’s “The Fir-Tree,” this story of friendship will warm children’s hearts.

A solitary pine tree on the outskirts of a tree farm enjoys her place near the tracks, where she can hear trains roar past.

A little boy who loves trains as much as she does comes with his father to choose a Christmas tree. There’s an instant connection between the boy and the personified (but not visibly anthropomorphized) tree, and she’s the one he chooses to take home. Lest a child be horrified at the thought of the father cutting down the tree, the illustrations make clear that it’s carefully dug up and roots swaddled in burlap for the trip. The boy is happy, but the tree, now trapped in the corner of a room, is sad that she can no longer hear the trains. When the boy sets up his new toy train around the tree, she’s happy once again. Eventually, the boy and his father take her back to her favorite spot by the tracks and replant her. This beautifully designed and illustrated book conveys the emotional import of moments big and small through a visual rhythm that intersperses double-page spreads with smaller, more intimate scenes in soft ovals set against white space. The title page echoes the cover while framing the publication information within the tracks. Soft reds and greens enhance the Christmas theme, while onomatopoeic display type propels the action. The boy and his family present white.

Reminiscent of Hans Christian Andersen’s “The Fir-Tree,” this story of friendship will warm children’s hearts. (Picture book. 3-7)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-256168-8

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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